A Quote by Zach Braff

I'm always being told by directors that I add chemistry to scenes, so I mean how difficult could it be? — © Zach Braff
I'm always being told by directors that I add chemistry to scenes, so I mean how difficult could it be?
Even for the most difficult scenes, and there are difficult scenes in the film, and because Michael Haneke is such a great film-maker - I think a great film-maker is not only being inspired, but how to do it, how to make it as real as possible, knowing that it's not real.
I had worked for a lot of directors whose work I didn't respect, and as I was editing material, I was thinking about how I would have shot the scenes and what I would have done to make the scenes better. After several years of that, I got to the point that I was pretty confident I could sit in the director's chair.
I think you either have chemistry or you don't. If you could create chemistry in the editing room then there would be no films without chemistry, obviously, because there are a lot of good editors out there who'd be able to take care of that then if that's how it really worked.
When you have quick scenes, it becomes difficult to ascertain where your character fits and where they're going. I always enjoy scenes that have a movement to them.
People would ask me how I could stand the long campaigning, how I could stand being charged with the responsibilities of a great nation, one of the most powerful and difficult jobs in the world. It wasn't any more difficult than picking cotton all day or shaking peanuts.
Let me tell you, you either have chemistry or you don't, and you better have it, or it's like kissing some relative. But chemistry, listen to me, you got to be careful. Chemistry is like those perfume ads, the ones that look so interesting and mysterious but you dont even know at first what they're even selling. Or those menues without the prices. Mystery and intrigue are gonna cost you. Great looking might mean something ve-ry expensive, and I don't mean money. What I'm saying is, chemistry is a place to start, not an end point.
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
I imagine John Watson thinks love’s a mystery to me, but the chemistry is incredibly simple and very destructive. When we first met, you told me that a disguise is always a self portrait, how true of you, the combination to your safe – your measurements. But this is far more intimate. This is your heart, and you should never let it rule your head. You could have chosen any random number and walked out of here today with everything you worked for. But you just couldn’t resist it, could you? I’ve always assumed that love is a dangerous disadvantage. Thank you for the final proof.
"So you're always honest," I said. "Aren't you?" "No," I told him. "I'm not." "Well, that's good to know, I guess." "I'm not saying I'm a liar," I told him. He raised his eyebrows. "That's not how I meant it, anyways." "How'd you mean it, then?" "I just...I don't always say what I feel." "Why not?" "Because the truth sometimes hurts," I said. "Yeah," he said. "So do lies, though."
Basically, great directors know how to combine music with the scenes that they are working on.
I think 'Baywatch' will be a summer blockbuster, and I'm not just saying it because I'm in it. I saw a bunch of scenes right now, and it's the funniest movie ever. Dwayne and Zac Efron have the best chemistry, and I come and interrupt their chemistry.
I think a lot of the production process is always giving yourself, like what I call like escape routes, like, if this scene doesn't play, if we realize we've had too many dirty scenes in a row, and it's like, because you don't have the luxury when you're in the middle of shooting, to see how these scenes play all in a row, kind of, you know what I mean. So, like we're always trying to like have insurance policies on, ok, if that doesn't work, we can just jump to this thing.
I just want to say, that if Jesus were alive, what would he be doing? Well, he would probably be accepting and loving people how they're made. And I always say this and it's really the truth. If being 4'11 was a sin, what would I do? Well, I could wear heels and I could add a wig.
How could liberty ever establish itself amongst us? Apart from a few tragic scenes, the revolution has been nothing but a web of farcical scenes.
It's weird because I once lost a job because I had a chemistry read with the lead actor, and I could tell we had negative chemistry. He was very lovely, but you could tell. We had the chemistry of two chairs.
I mean, there's chemistry in life and there's acting chemistry. I'm not saying they're the same thing, but they're as mysterious.
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