A Quote by Zach Braff

I mean, so what if it's a little dangerous? A one-armed kid is comedy gold. — © Zach Braff
I mean, so what if it's a little dangerous? A one-armed kid is comedy gold.
My treasure chest is filled with gold. Gold . . . gold . . . gold . . . Vagabond's gold and drifter's gold . . . Worthless, priceless, dreamer's gold . . . Gold of the sunset . . . gold of the dawn . . .Gold of the showertrees on my lawn . . . Poet's gold and artist's gold . . . Gold that can not be bought or sold - Gold.
An armed man, especially if he is armed with a firearm, is dangerous as long as he is conscious. Take no chances. Put him out.
Comedy is lively, comedy is joy, and that's what keeps us [people] going, we've got to look forward to little, little happiness's. Little, little joys, and comedy is very, very important, it's a vital. We underestimate its value, but we should see more comedies. Comedy is life giving, it's invigorating. I really believe it.
If you like a conversational style of comedy, if you like comedy that's a little dangerous, I'm your guy.
-You're gloating, Max. It's not flattering. Somebody needs to teach you a little humility.- -A good woman could do that.- -She'd have to be armed and dangerous.-
Gold is no longer an investment. Gold is no longer a portfolio item. Gold is certainly not a trading vehicle. Gold is your lifeline and I mean that literally.
I was a little boy who watched 'Solid Gold' every week and wanted to be a 'Solid Gold' dancer. And I would do very in-depth reenactments of 'Grease 2' and 'West Side Story' with my sister Natalie in our garage. I was a very theatrical kid.
I was a comedy fan when I was a little kid.
I love comedy. I suppose comedy is my first love, in a way. I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices. Probably about 3/4 of those were comedic, in some way, and the other 1/4 was more serious stuff or more action or more dramatic little pieces that I would make. But, I tend to lean towards comedy.
The only thing more dangerous than an idea is a belief. And by dangerous I don't mean thought-provoking. I mean: might get people killed.
The only thing I knew in the world as a little kid was comedy. And no other kids in my school cared about it at all. There was no one to talk about it with. You know, we're in a geek culture now where comedy is so giant. I'm one of the people that, you know, works on Funny or Die. And there is just a giant culture of comedy nerds. But back then, I was alone, and I had a little confidence about it because I felt like, this is my thing, this is the only thing that only I know about.
I think it's important that kids see another kid - Coraline - who doesn't have guns, she doesn't have super-powers, she's not a super-genius. To see a pretty normal kid - I mean, she's probably a little more curious, a little more stubborn, but she's a real kid - go up against something that's truly dark and evil and powerful. And she does win.
The words 'California's Gold' will no longer mean anything about me or about a television series. They will mean what California's Gold has always truly meant: not the literal gold nuggets that they pulled out of the earth, not the riches people got when they came here, but the dreams that brought people here and are still bringing people here.
Everybody's out to get something from somebody. 'Gold diggers' doesn't just mean money, it can mean time, it can mean feelings. It can mean anything when you're taking and not giving. When people don't know how to reciprocate.
I've been thinking about it, and that poem, that guy that wrote it, he meant you're gold when you're a kid, like green. When you're a kid everything's new, dawn. It's just when you get used to everything that it's day. Like the way you dig sunsets, Pony. That's gold. Keep that way, it's a good way to be.
When I was a little kid, I was a huge fan of 'The Kids in the Hall.' They were like my boy band. I was obsessed with sketch comedy. Being raised Christian, I was somewhat sheltered from the more radical high-art world. So to me, comedy was where people got to express themselves in an abstract way. It was a big part of my growing up.
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