A Quote by Zach Braff

I mean, I'm a writer, actor, AND director. Not to rock the boat or anything, but compare that to a carpenter and, in the end, who is the better man? — © Zach Braff
I mean, I'm a writer, actor, AND director. Not to rock the boat or anything, but compare that to a carpenter and, in the end, who is the better man?
Men are afraid to rock the boat in which they hope to drift safely through life's currents, when, actually, the boat is stuck on a sandbar. They would be better off to rock the boat and try to shake it loose.
I'm a writer-director-actor, which I've always kind of enjoyed. I compared it to the Olympic biathlon. "Not only can he cross-country ski, but he's a terrific marksman as well." I want people to say, "You mean that writer performed a tracheotomy?" That's right, I do everything.
We raise our children, especially girls, to ignore their spontaneious reactions-we teach them not to rock the societal boat...By the time she is thirty, the valient little girl's "Ick!"-her tendency to respond, to rock the boat, when someone's actions are really mean, may have been exciese from her behavior, and perhaps from her very mind.
I had no natural gift to be anything - not an athlete, not an actor, not a writer, not a director, a painter of garden porches - not anything. So I've worked really hard, because nothing ever came easily to me.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
I'm very old-school. I like a director to direct me. I like to be the actor. I'm not particularly fond of the hybrid writer-director, or actor-director. Writers, directors, actors are all such very different people. I think it's unusual that two of those people are in one human.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
Women are just more oriented toward feelings - and I don't mean that in a negative way. But with a male actor and a male director, the emotional exploration can only go so far. With a female director, you can end up exploring so many more depths.
I'm not particularly fond of the hybrid writer-director or actor-director.
Oh, I love Rock to death, man. He doesn't inspire me as an actor but, I mean, come on.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
I am a director's actor. It is a director's medium, definitely. That doesn't mean I stop using my head.
When you're in the editing room, as a director, you get the opportunity to look at your work. As a writer, you can rewrite. But as an actor, unless you're watching playback, you really rely on the director to help you.
I feel like I've found my voice in the actor's business. Because when you first get out of school and you're looking for jobs, you don't want to rock the boat - you can't rock the boat. You'll get known for being that sassy girl that, like, has no résumé and no one wants to work with her. But now, I'm "proven," at least in the television world, and hopefully in the theater world. I'm working on the film world. Unfortunately, it takes a while to build that kind of street cred. It's been recently that I even started to have more confidence in myself.
If a man is to be obsessed by something, I suppose a boat is as good as anything, perhaps a bit better than most.
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