A Quote by Zach Braff
Best movie ever?! Come on, my appearance on Arrested Development had more dynamics, realism and feel to it than the whole trilogy combined.
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Even if you are lucky enough to sell a trilogy, you don't know if you'll ever get to write that whole trilogy. I have many friends who had very long arcs planned in multi-book series that they never got to write because the first book didn't perform.
I've been in, like, kids' clubs... I've been in the Boom Boom Room in New York, and the kids are going, 'Oh my God, you produced 'Arrested Development?'' They aren't talking about 'A Beautiful Mind' or '24.' It's like the only thing in my whole career was 'Arrested Development,' literally.
I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.
We had, like, the greatest time you could ever imagine doing 'Arrested Development.' And as grateful as we are for the careers we have afterwards, it was - we still miss it.
When I booked 'Arrested Development,' which was a fantastic job, and I was working with an amazing cast and some of the best writing I've ever done, I still found myself looking for the next thing.
When we were making 'Arrested Development,' it was the hardest thing I'd ever done. You know, nobody was watching. We weren't getting feedback. The job wasn't paying very well. But the one thing I did feel confident about was: No one will ever be able to do this again. Because no one would be stupid enough to try.
IBM isn't investing billions of dollars every year into research and development - and winning more patents than our top 10 competitors combined for more than a decade - as an academic exercise. But research is now being driven much more by what people need rather than just by what is possible.
In societies like the American and West European where the dynamics of energy come from freedom and where the climate and the whole ethos are those of freedom, censorship is bound to be at worst, stupid; at best, futile; and always, to some degree, inconsonant with the character of the society as a whole.
I think in retrospect that all those 'alternative'modes of living were little more than exercises in arrested development.
'Arrested Development' is great; Mitch Hurwitz is great. Plus, it's the one show I've ever had where, on the small parts, he just let me cast people.
Ever since I was young, 14 or 15, I wondered if you could write a book that combined the visceral thrill of watching a movie with the total immersion you feel when you're inside a good book. And I had some success as a screenwriter before I began writing books.
People always come up to me now and say, 'Watchmen' is the best superhero movie ever made.' I'm always saying 'That's super cool. That's nice of you to say.' But it happens now, more and more and more than it did when it first came out.
After 'Arrested Development,' I didn't know for sure if I wanted to be an actor. I was hitting this wall, where I was the 'ethnic best friend' or the 'sassy teenager.' It felt like the same note, and I didn't feel like I was growing.
I've had a dozen people tell me, maybe more, 'What would have happened if Michael Brown had shot and killed Darren Wilson? Do you think he would be free right now? Do you think he would not have been charged by now?' People just see this manifest double-standard in front of them that's coming at the long line of a whole bunch of grievances that have built up over time because of the dynamics of Ferguson and frankly, the dynamics of race in America more broadly.
I saw 'Boogie Nights' more times before the movie came out than any other movie I had ever seen.
Television, particularly as it becomes more and more serialised, comedies no longer have to tie the stories up neatly within 20-plus minutes. 'Arrested Development' had evolving storylines, as did both versions of 'The Office.' We're seeing that more and more. That allows it to be really, whatever the tone, almost literary.
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