A Quote by Zach Braff

That image is a couple different people's homes that I knew growing up. — © Zach Braff
That image is a couple different people's homes that I knew growing up.
Everyone else we knew growing up is the same: image of their parents, no matter how loud they told themselves they'd be different
I never considered interior design as a career option. I had designed a couple of our homes, and people liked my work. Friends came forward and asked me to help them do up their homes, and that's how it started.
Growing up, the image I had of Princess Margaret was completely different. I knew that she was a slightly tragic figure, but I didn't know why. Now, I love her with my all my heart. She was such an amazing person, and getting to 'know' her better was an honor.
Growing up, I knew I was different. But I didn't know what it meant to be Aboriginal. I just knew that I had a really big, extended family. I was taught nothing about who we were or where we came from.
I've been different things in different contexts, and I didn't really feel beautiful until I had my first child. I knew that I was considered 'People' magazine's Most Whatever, but all that stuff is just how we label different groups. And I've been very not beautiful in my life. There's no way I was beautiful growing up.
Growing up, we didn't have anything. My mum wasn't well, so I was in three care homes then foster homes before me and my little brother went back to her. I was passed from pillar to post.
Growing up, I think I always knew I was different.
It's just so hard growing up: you go through things, especially acting - I go to a different set every couple of months, and you meet an entirely new group of people that are around you 24/7. It's not an easy situation to go into when you're a shy person.
If I can be in a place where my image is encouraging people to see different people behind the camera, and my image and the images I make can help open up a certain world view, I think that's all a part of a larger spirit of change and progress, and I'm happy to be part of it.
When we're growing up and being teenagers, oftentimes you try so hard to define yourself. You try to create an image of yourself because you don't really know who you are yet. And that can be kind of limiting because you forget that there are actually so many different sides of identity. And it's important to recognize that everyone is completely different.
I had parties in church halls. My mama knew people that had venues and all that, and I knew a lot of people from forever. I was always popular growing up. She used to get me the spots, and I used to have parties. Probably about 300, 400 people.
I usually base my characters on composites of people I know. One trumpet player in SIDE MAN is really a mix of four different guys I knew growing up. Patsy , the waitress, is a mix of about three different people. I like doing it that way. I start with the characters, as opposed to plot, location, or some visual element. I write more by ear than by eye. I always work on the different sound of each character, trying to make sure each has a specific voice and speech pattern, which some writers could care less about.
Growing up, I was in and out of trouble in group homes and other institutions, and when I was 14, I was locked up in a psychiatric hospital for a number of months for behavioral problems.
I think growing up in Vancouver is a different lifestyle than growing up in most other places.
I've done this a couple times, been to a couple different camps and a couple different AAU practices to talk to kids. I tell them you have to be dedicated, have to decide if you want to be a serious basketball player or not. They always ask, 'What if you get discouraged?' You have to remember what your goal was in the first place.
I was surrounded by music in my family, surrounded by people who sang songs - every single person I knew as a child growing up had one, two, three songs they knew from start to finish.
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