A Quote by Zach Condon

I like to think that location, travel, etc, is a launching point for purely imagining. — © Zach Condon
I like to think that location, travel, etc, is a launching point for purely imagining.
Launching a newspaper without a coherent idea of how you're going to promote it, or get it to people who might want to read it, is like launching a boat without a rudder or an engine... or a hull, now that I think about it.
Making love to a woman is like buying real estate: location, location, location.
Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.
The dreamed outcome of launching a psychic attack can make you feel small and petty. I think for that reason I'm going to refrain from launching any.
A lot of times when I ask people what their apocalyptic fantasy life is like, they'll immediately say something like, "Oh, what I think is going to kill us is climate change or World War IV," and that's not what I'm interested in at all. The point is not about winning a bet about what's going to happen. The point is about the human action of examining the possibility, the kind of obsessive imagining about it.
At a fundamental level photography is much like pointing, and all of us occasionally point at things: look at that, look at that sailboat, look at that tree, etc. etc.
I always tell people that I have never ever gone dancing in my life. But that's the point. It's the point of dreaming of doing it, imagining doing it. My music is like a fantasy version of it, not a practical version of it. With the way a club DJ would make a track - they are in the club, they know how to get people excited. I don't know how to get people excited. I'm just imagining euphoria; I'm not necessarily feeling it.
I think the Davis Cup has some untapped potential. It should be as prominent as the Grand Slams when it takes place. If you put it together with Fed Cup for an organized, nationalistic team competition taking place in a central location for two weeks, I think that would be beneficial from a fan interest stand point, from a media stand point and from a television stand point.
Ask any real estate broker to name the three most important factors in buying a property, and he'll say: "Location, location, location." Now ask him to name the chief justice of the United States Supreme Court, and he'll say: "Location, location, location." This tells us that we should not necessarily be paying a whole lot of attention to real estate brokers.
Travel by air is not travel at all, but simply a change of location; so my wife and daughter and I went to San Francisco by train, leaving Boston on a Wednesday morning in June and, then after lunch in New York, boarding Amtrak's Broadway to Chicago.
Real estate is the key cost of physical retailers. That's why there's the old saw: location, location, location.
The three most important aspects of debugging and real estate are the same: Location, Location, and Location.
Even in a bad market, location, location, location is a way to still buy and sell property.
The difference in working on a TV series and a movie comes down to one thing for me, and that is the travel. With 'The Bold and the Beautiful,' we are in one remote location, but with a movie, you get to travel, explore, and experience different things every day. But I've really enjoyed doing both.
For example, if I make money, I put it in real estate. I always did very well. Location, location, location.
Some people just think utopians are idiots who are imagining rivers of candy and not really engaging with the world's ills, and sometimes that's surely the case, but I think that imagining the perfected society is a way of expressing your disgust with the current state of affairs.
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