A Quote by Zach Condon
I mean the reason that I started writing close to home, "Santa Fe," et cetera, was a kind of looking back on past events. I don't know, it's just some of the dark spaces I've been. And it feels like with a music career and whatnot, I've been able to crawl out of those places. So it's interesting to look back on them and try to hold on to the feeling of what you went through.
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When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
I am kind of a private person, so I don't miss that part of show business at all. Looking back on my career in television and making a movie like 'The Sound of Music' from an adult point of view, it actually seems kind of unreal. I was involved in shows that people grew up with - that hold memories for them - and it's a cool feeling.
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
I find it interesting when I look back at songs and it's what I've been thinking and feeling for the past two years. There's some sexual stuff in this record and I'm sometimes like, "Is that too far?" There's a confidence in it. It's over-sharing, but in a really therapeutic way.
I guess it must be a time-of-life thing, looking back and trying to make some sense of who I am and where I've been. It's a weird thing, having to give an account of yourself, to try to make sense of yourself for yourself. I'm not that old, but I have been writing fiction professionally for a long time now. I started so young and went so hard for so long. And I guess it was about feeling I had the space to look over my shoulder.
I love it here in Boston and I love studying medicine. But it’s not home. Dublin is home. Being back with you felt like home. I miss my best friend. I’ve met some great guys here, but I didn’t grow up with any of them playing cops and robbers in my back garden. I don’t feel like they are real friends. I haven’t kicked them in the shins, stayed up all night on Santa watch with them, hung from trees pretending to be monkeys, played hotel, or laughed my heart out as their stomachs were pumped. It’s kind of hard to beat that.
I've always been surprised when a straight guy likes me. It's just been like my whole life has been kinda like that. I definitely felt like when I started writing music, it wasn't writing for a gay audience at all. I was just writing for me. But what I say whenever I get this question is my best friends have always been gay, I've always been, as a person, just accepted by the gay community, and celebrated and had the best nights of my life at gay clubs. Always had a fashion sense usually with drag and I don't know. That's just kind of my people. That's just kind of where I fit in.
It's nice to know that you're worth something and music really does put that kind of light back into you. Well, it does for me anyway. I've been through some very interesting times in my life and there is certain songs that I go to and I'm like, ok, it's not that bad.
And some places you been before are so great that you don't ever mind going back. Some places you been before you don't ever want to go back, you know, like Montreal in the Winter.
They're powerful, those songs. At times they've been my only way back, the only door out of the dark, bad places the black dog calls home.
Every now and then it feels like it's just been a few days ago, a few weeks ago since we got started; but looking back through photographs and listening to the older albums and stuff, you can definitely feel some maturing and some distance in between the club days and where we are now
I've gotten to do some really amazing things, gone to some really amazing places, and just have some really unique experiences. And if I have one regret looking back it's that - not a regret even, because I think that's kind of labeling depression as something you can control - but I just wish I would have been able to enjoy it more fully.
I think a lot of the writing, you know, I write is just kind of like that where, you know. I write exactly how I'm feeling sometimes, and hardships that I'm going through. But I always end up, like the choruses are like, "God, You are good. God, you're faithful. You know, I know You understand, You're right here by my side." All these different things. And I just say very personal experiences that I've been through. I mean, it's not always detrimental thing.
I've been in some beautiful places, but the prettiest sight is flying back to New Orleans. Being able to look down and say, 'I know where I am now.'
I work with musicians whose opinions I respect and if they don't like something they don't hold back. They'll say, 'That really sucks' and 'You've lost it' and 'You're no good anymore.' And I crawl away with my tail between my legs and I fear that kind of ridicule, but I want them to like the music I'm bringing to them.
I read the poem [In a Dark Time by Theodore Roethke] because I was intrigued and had one of those strange senses: "This poem is kind of important to me. I don't know why, but I'm going to just keep it in the back of my mind." I just kept coming back to it. As I started putting the book together and writing the stories for it, this idea of buzzing as a word kept popping up in my brain.
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