A Quote by Zach Condon
You always know when a real inspiration is behind the melody, arrangements, even lyrics. And I know that's really vague, but it's true.
Related Quotes
Intuitionists think that there are cases in which, say, some identity statement between real numbers is neither true nor false, even though we know that it cannot possibly be false. That is: We know that it cannot not be that a = b, say, but we cannot conclude that a = b. We can't, in general, move from not-not-p to p in intuitionistic logic. , I suggest that the believer in vague objects should say something similar. It can never be true that it is vague whether A is B. But that does not imply that there is always a fact of the matter whether A is B.
I've stolen music before, I don't know anyone who hasn't. But if you're gonna do that, I want you to be able to have an opportunity to know the real lyrics because I really hate it when people put up wrong lyrics online.
Always when I write my music, I take my guitar, and I improvise always with a melody, you know, lyrics in Spanish. But sometimes I use some words in English. I don't know why. Maybe because I listen to a lot of music in English.
Well the artists that inspire me were, first of all I would say Sam Cooke, Otis Redding, John Holt, Alton Ellis, Errol Dunkley, Delroy Wilson and Dennis Brown you know. They have unique voice and sweet melody and you know, good lyrics those time yeh. The music was very nice in that time still seen, because you find that even the musical part, the musicians concentrate more on the melody than everything, more than how they concentrate on the money that time you Know
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
I always write lyrics first and the rhythm and the melody come from the lyrics. It always comes from the lyrics: words have rhythm and words have melody.
Hunter can write a melody and stuff like that, but his forte is lyrics. He can write a serviceable melody to hang his lyrics on, and sometimes he comes up with something really nice.
Inspiration comes from so many sources. Music, other fiction, the non-fiction I read, TV shows, films, news reports, people I know, stories I hear, misheard words or lyrics, dreams... Motivation? The memory of the rush I get from a really good writing session - even on a bad day, I know I'll find that again if I keep going.
I've always felt that the game itself is pretty much a melody and I am there to provide the lyrics. You want the lyrics to match the melody, because if you are composing a song or recording a song, it's cacophonous if they don't match.
There are two magic acts I want to pull off when I write. One is creating a feeling that when you're inside a book, you believe everything you're reading even when you know it's not true. And the second is an extension of that, which is you know it's not true, you know it's not real, but you believe it anyway. And it's that believing of the story that isn't real that attracted me to writing and storytelling in general.
Antonin Artaud wrote on one of his drawings, "Never real and always true," and that is how depression feels. You know that it is not real, that you are someone else, and yet you know that it is absolutely true.
Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky.
I've always loved to sing with somewhat vague lyrics so people can have their own interpretation and find their own meaning with it. I've become a bit more comfortable speaking about personal matters within the lyrics, but at the same time, there is an element where I'm not always sure how far I want to take it. There are certain topics that I'm discussing that I haven't explicitly explained to my bandmates. That's just for me to know, and I'm not going to talk about it anywhere.
I love to write and have the basic foundation of what the song's all about. Then once the drums are done it's time for fun for me, because I don't know what I'm going to sing yet, and melody-wise I don't even have my lyrics written.
I try to write in a way where the lyrics have many meanings and you won't really know what's behind it.
When I write, it is always the melody that comes first, and it just happens to be the case that the most beautiful tunes are sad, and the lyrics follow the mood of the melody.
Related Authors
Alexandre Desplat Quotes
French
Composer
Andrew Lloyd Webber Quotes
British
Composer
Anu Malik Quotes
Indian
Composer
Henry Mancini Quotes
American
Composer
Igor Stravinsky Quotes
Russian
Composer
John Cage Quotes
American
Composer
John Walter Bratton Quotes
American
Composer
Krzysztof Penderecki Quotes
Polish
Composer
Ludwig van Beethoven Quotes
German
Composer
Michael Giacchino Quotes
American
Composer
Pauline Oliveros Quotes
American
Composer
Ramin Djawadi Quotes
German
Composer
Richard Wagner Quotes
German
Composer
Ryuichi Sakamoto Quotes
Japanese
Composer
Stephen Hough Quotes
British
Composer
Stephen Sondheim Quotes
American
Composer