A Quote by Zach Condon
Lyrics are what I tend to tear hair out over and they're where I tend to feel weak musically, if I'm being very honest. It is not something I feel like I know anything about; I would not consider myself a writer. I just want to sing, I just want to sing a melody, I just want to feel a melody, and be part of the song, and everything else is not so important.
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I feel like I'm really accomplishing something with harmony and melody. Ultimately, again, I'm not a singer, some people can sing with an "I" or an "a," some people can sing and they can sang. I think I can "sang" more than anything. I'm not a formal singer and I'm an MC, but it's secondary to the second nature of just melody. You know but ultimately I'm a writer and I do soul music. Whether it's in song form or rhyme scheme, it's soul.
I'm just kind of sick of music. I don't know what I want to do. It's not that I feel suicidal or anything, but I just want to end this life. I just want to be somebody else now. Sometimes I feel like that. You always think, "If I just cut my hair really short and dye it brown and put on a little goatee, no one would know it was me, and I could..."
I can't be bothered to learn Final Draft. I'm not a technical person. Like, when I sing, I just want to sing the melody and write the lyrics.
If I'm recording a song, and it's kind of fuzzed out, but I've got this super candy melody, I feel nothing but freedom that I can just sing over the top, and it will be appreciated. It won't be like, 'What is he doing?'
A good song has to have a great melody, and the lyrics have to touch my heart. Now, if it's just a little toe-tapper, got to make me feel good somehow or another, or when I sing it I can't make you feel good.
I never took singing lessons. I guess, I feel comfortable with it, but I do not feel like a singer. I never want to sing without a guitar in my hand. I consider myself more of a songwriter, rather than a singer. I could never be in a wedding band and just sing Marvin Gaye songs.
I'm a very melody-driven writer and I have a rule that I don't write anything down because if I can't remember the melody than it wasn't worth remembering. So it's my way to test myself in the studio. When I was a kid I could sing pretty well so melody always made a lot of sense to me.
It's important to me that people feel connected to the band through the music, you know? I don't want it to be wallpaper. I don't want it to be background music. I want it to be clear: This is the song. These are the words. If you feel the same way as I do, sing it as loud as you can.
Sometimes, being a feminist artist, there are times where I'm in a position where I just want to feel like I'm saying all the right things politically, or I feel like I have to mention my own project over other people's projects. But I don't do that anymore. I just want to be off the cuff and honest.
I don't know if I would want to come back as anything but me. I feel really satisfied. I don't really want to be anyone else. I just feel like I've gotten everything I signed up for as me. I'm happy as me.
I want to do a stripped-down album. That style is actually where my heart is - storytelling and just letting the voice and the lyrics talk for themselves. I still want to write the perfect song and sing it in the most honest, undressed way. But I feel like I have to gather more experiences and more layers in my voice. I have to live more to be able to tell this tale. So I'm saving my folk record. I have a feeling nobody will understand it.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there.
There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.
Sometimes melody and sometimes lyrics. It depends on the tempo and feel of the song. Slower pieces usually begin with melody and faster ones with lyrics. I write for the song and it leads me to my conclusion.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
We just met for the first time and David Byrne was like, "Hey, you want to sing on this song?" and I was like, "Yes, I do want to sing on that song." He's the most legendary dude but I wasn't thinking about how he was a legend when rehearsing. I was just thinking, "Wow, this guy really knows what he wants in his music." And that ended up being the vibe, like "Oh, you wanna try that?" "Yeah, that sounds great!"
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