A Quote by Zach Galifianakis

The whole thing about working in front of the camera is to make people laugh when they're not supposed to. — © Zach Galifianakis
The whole thing about working in front of the camera is to make people laugh when they're not supposed to.
The burden of originality is one that most people don't want to accept. They'd rather sit in front of the TV and let that tell them what they're supposed to like, what they're supposed to buy, and what they're supposed to laugh at.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera and it's always comfortable to me.
I was always in front of the camera. My mom was really passionate about photography - I have pictures of my whole life. I've always just been in front of my mom's camera, and it's always comfortable to me.
When I was a kid and getting paid to stand in front of a camera. I used to spend a lot of my time just laughing inside about the whole thing. It wasn't real to me. I couldn't act and I damn well knew it. I kept expecting someone to see the joke and call the whole thing off at any moment. Fortunately, no one ever did.
My whole thing is to entertain, make people laugh and to forget about the real world for awhile.
I feel really comfortable with going for the reality of the drama, but I'm not much for the comedy of it. You have to make people laugh, or you have to be true to the character in such a way that makes people laugh. It's a whole different thing.
I liked the whole process of creating on set. It's almost like creating magic. The work that the camera guys are doing at the same time, the lighting... all of the people working in their departments to make one thing.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
I like some of my stuff not to be particularly funny. It's supposed to be amusing, entertaining or thought-provoking, like a curiosity. If you put it on in front of 500 people in the Odeon they wouldn't laugh. They shouldn't laugh.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
The camera is no one's friend - you have to leave your problems at home and make people laugh. That's never an easy thing to do.
Performing in front of the camera is a different thing, and shooting a whole film is another.
My whole thing as a performer is to affect people, whether I make you cry or I make you laugh. I would love to make you think.
I'm a comic, and I'm supposed to outrage and make people laugh, Part of makin' people laugh is to shake up their thinkin'. That's what I came here to do.
The first purpose of comedy is to make people laugh. Anything deeper is a bonus. Some comedians want to make people laugh and make them think about socially relevant issues, but comedy, by the very nature of the word, is to make people laugh. If people aren't laughing, it's not comedy. It's as simple as that.
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