A Quote by Zach Galifianakis
I'm an American so its kind of hard for me to talk about 9/11. So whenever someone brings it up in a conversation, I say "I didn't like 9/11."
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I try to be a hard boiled sometimes. My kids see right through it. I'm acting. It's always, 'When I say you'll be back at 11, that means 11, not 11.15. Do you hear me!?' Then, 'Yeah, Dad.'
When I say that it's taken us [with Luca Guadagnino ] 11 years to make this film, what I mean is that it was 11 years ago that we started to talk about a kind of cinema that we wanted to make together.
When you look at the actual numbers, the number of people who died after 9/11 was greater than the number of people who died in 9/11, even if you are talking Americans. But you know, I don't like to talk Americans. I want to talk everybody. More innocent people died after 9/11 because of 9/11 than died in 9/11.
At, like, 11, I think, that was just me watching a lot of YouTube videos, and I whenever I had the chance, I would talk to myself, practise pronunciation. Then I found out about hip hop and became friends with American people through Twitter. I was like, 'Yo, I need to be in a country where everybody speaks the same language.'
Some things hit close to home with people, and it's going to be hard to tell someone who lost somebody on 9/11 that a 9/11 joke is funny.
Seven-11 is the pulse-beat of America. I think that Bruce Springsteen should do a song about a 7-11 in Asbury Park, New Jersey, but write it in such a way that American's youth can identify and slurp along with the Boss. Hail the Boss! Hail 7-11!
When we talk about 9/11 and 26/11 - which is the shorthand for the Mumbai attacks in 2008 - we're talking about the most successful terrorist attacks in history. When you start trying to study the most successful event of its kind, it actually doesn't make for great fiction because there isn't the kind of failure in it that fiction thrives on.
It's still hard for me to think about Sept. 11 sometimes. I'm still angry. It's hard to watch my daughters, Celia and Zaya, grow up and know they'll never see their father. They'll always be 9/11 girls, and I wish I could shield them from that. Everyone has an immediate pity for them. It is a sad thing, but the girls are also so happy.
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
I create my own schedule, so you start out each day and you say, "Okay, from 10 to 11 I'm going to write," and on the dot at 10, I went downstairs, got dressed like I was going to work, and at 11 I stopped. I don't know why, what kind of wizardry about that worked, but having the structure for a month, I was dishing out songs.
I often suggest in workshops that if you have 30 students in your American History course in 11th grade, or whatever grade level, that you maybe triple them up. You put, and have them choose, let's say 11 different Native American cultures. Maybe you give them a list of 15 and they choose 11 of those 15 so that they have some choice in the matter.
2008 was to the American economy what 9/11 was to national security. Yet while 9/11 prompted the U.S. government to tear up half the Constitution in the name of public safety, after 2008, authorities went in the other direction.
Today is 11/11/11, a date so simple even Rick Perry can remember it.
I grew up in Canada and I was 10 years old when 9/11 happened. And I think that really changed the landscape for Arabs around the world, obviously, but especially Arab actors, I think we started getting viewed a little different. Like, my whole experience just as a kid before 9/11 and after 9/11 was drastically different.
Oh, indeed there is a tie between Iraq and what happened on 9/11. It's not that Saddam Hussein was somehow himself and his regime involved in 9/11, but, if you think about what caused 9/11, it is the rise of ideologies of hatred that lead people to drive airplanes into buildings in New York.
Throughout my 20s it was all about achieving and working as hard as possible. To the point that you don't think twice about working in a music studio with no windows from 11 to 11. And you don't bat an eyelid if you fly four times a week and do promo in a different city each time.
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