A Quote by Zach Galifianakis

I don't want to do an edgy show, I didn't want bad language. I think edginess is the new hackiness. — © Zach Galifianakis
I don't want to do an edgy show, I didn't want bad language. I think edginess is the new hackiness.
Myspace was always a bit edgy. People identified it with edginess and music.
I want to do an 'Extreme Makeover' show. You know that MTV show 'I Want To Have A Famous Face'? Well, I want to do a new show. I want to have a different famous face.
When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?
To show you how radical I am, I want carjackers dead. I want rapists dead. I want burglars dead. I want child molesters dead. I want the bad guys dead. No court case. No parole. No early release. I want 'em dead. Get a gun and when they attack you, shoot 'em.
I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.
When fans think WWE, I don't want them to think Hulk Hogan or The Rock or Stone Cold Steve Austin or John Cena. I want them to think of The Miz. I want to be on every show. When we need a guy to do Conan or Jimmy Kimmel, I want them to call me. I wanna be on the cover of all the video games. I want it all.
People are gonna think that MTV censored me, and they really didn't. I really wanted to try to make a show that didn't rely on offensive, edgy material because I think it was an exercise in trying to write without that. Because I see that as a crutch sometimes and I want to know that I can do something funny and worthwhile without that. And also make a show that my parents would like and that kids could watch with their parents.
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
You want to be the first to do something. You want to create something. You want to innovate something...I often think of Edison inventing the light bulb. That's what I want to do. I want to drive over the bridge coming out of New York there and look down on that sea of lights that is New Jersey and say, `Hey, I did that!'
Usually, new producers and writers want to put their stamp on a show. They don't want to continue what's working. They want to reinvent the wheel. It's an ego thing.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
When the media's around, I try to be careful. I don't want to make a mistake or use bad language, and I have to really concentrate because of the language barrier.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
I'm trying to build a strong business. I want to create new stars, new shows and new products for my audience and create a legacy that outlives me. There are so many other ways I want to reach women besides doing a talk show.
If I could be on any show, I think I'd want to be on 'Bad Girls Club.'
That most of you say you want to be successful, but you don't want it bad. You just kinda want it. You don't want it badder than you wanna party. You don't want it as much as you want to be cool. Most of you don't want success as much as you want to sleep!
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