A Quote by Zach Galligan

L.A. is a very strange place. On the surface, it has an innocent appearance, like the stranger with the pleasant face that smiles and shakes your hand. But then you learn it is actually a lot less nice than you think, and there's a whole deeper, darker level.
It's a strange atmosphere always over there, it is darker and less glamorous, and you don't feel as high. It is a different kind of test - can you raise your level in a less exciting environment and perhaps still a very difficult one?
Life is a little easier for attractive people. Think about it: if a stranger smiles at you and they’re attractive, you think, ‘Oh, they’re nice,’ but if a stranger’s ugly, you’re like, ‘What do they want? Get away from me, weirdo.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
Your face, my thane, is as a book where men May read strange matters. To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under't.
I think we can learn a lot about a person in the very moment that language fails them. In the very moment they they have to be more creative than they would have imagined in order to communicate. It's the very moment that they have to dig deeper than the surface to find words, and at the same time, it's a moment when they want to communicate very badly. They're digging deep and projecting out at the same time.
Sometimes people are layered like that. There's something totally different underneath than what's on the surface. But sometimes, there's a third, even deeper level, and that one is the same as the top surface one. Like with pie.
You're not very nice," I say, grinning. "You're one to talk." "Hey, I could be nice if I tried." "Hmm." He taps his chin. "Say something nice, then." "You're very good-looking." He smiles, his teeth a flash in this dark. "I like this 'nice' thing.
Repentance can become a very, very deep phenomenon in you if you understand the responsibility. Then even a small thing, if it becomes a repentance-- not just verbal, not just on the surface; if it goes deep to the roots, if you repent from the roots; if your whole being shakes and trembles and cries, and tears come out; not only out of your eyes but out of every cell of your body, then repentance can become a transfiguration.
My philosophy is that I am a friend of the children. I don't think anyone should see them as pitiable subjects or charity. That is old people's rhetoric. People often relate childish behaviour to stupidity or foolishness. This mindset needs to change. I want to level the playing field where I can learn from the children. Something I can learn from children is transparency. They are innocent, straightforward, and have no biases. I relate children to simplicity and I think that my friendship with children has a much deeper meaning than others.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
I think The Magicians takes these conventional ideas from this Christian literature of good vs. evil and it sort of shakes it up and asks a deeper, darker question about the nature of not just humanity in the face of good vs. evil, but the challenges of everyday life. And I think there's something incredibly timely about that and incredibly relatable to anyone who's growing up. Because we're all growing up. We're all constantly evolving.
News is so often a report of conflict, an account of problems, a thing of the day and even of the minute, that sometimes I think we make the background darker and the shadows deeper than they actually are.
Women may be whole oceans deeper than we are, but they are also a whole paradise better. She may have got us out of Eden, but as a compensation she makes the earth very pleasant.
I tell young people: If you make a job choice on the basis of something other than your nose or your gut, it's unlikely to work out.... It's perilous to look ahead and be like, "I'd like to be ambassador." I would never have gone to Bosnia or spent years writing about genocide. Do it on the basis of what you can learn.... It's like falling in love. Your whole dating life, you're thinking, On the one hand, on the other hand. Then you meet the right guy, and you're not in list-making mode; you're just with the person you're supposed to be with. Jobs are like that too.
I've always liked Southeast Asia a lot. It's a wonderful place, an easy place. People are great, there's a lot of history and culture, and I like the serenity of Buddhism there. It's very beautiful. I find that to be a very nice place to visit.
Underneath my outside face There's a face that none can see. A little less smiley, A little less sure, But a whole lot more like me.
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