A Quote by Zach Galligan

Kevin Bacon and I went up for the same stuff, and people would say, 'You and Kevin have the same quality.' I was like, 'I do?' I remember seeing 'Footloose' and thinking, 'How do I have any kind of quality that that guy does?'
Kevin Bacon and I recently worked on a move together, R.I.P.D. Just before we'd begin a scene, when all of us would feel the normal anxiety that actors feel be- fore they start to perform, Kevin would look at me and the other actors with a very serious expression on his face and say: "Remember, everything depends on this!" It would make us all laugh. On the one hand, it's not true of course, but on the other, everything does depend on this, on just this moment and our attitude toward this moment.
I can't be the only one who watches 'Footloose' and hopes that John Lithgow will stop Kevin Bacon ever dancing again.
You can't tell me the success of Kevin Bacon isn't somehow tied to his name. You're not going out to see a Kevin Hot-Dog movie.
Hollywood, that whole industry, is a lot like a really small town. You bump into the same people all the time. I think Six Degrees of Kevin Bacon can be played with anyone and everyone in Hollywood.
It's kind of an art, going out and performing. I'd like fans to remember me as a guy who would go out and entertain them, give them quality matches, and not just the same old garbage every week.
It's 'Six Degrees of Kevin Bacon, except there's just one degree, and Kevin Bacon is Hitler. Can I play? Let's see. Mother Teresa had a mustache. Hitler had a mustache. Mother Teresa is Hitler!
Kevin McHale was a master communicator and knows how to coach stars, and that's a unique gift because you take an old-school guy that's used to coaching his way, he'd have a hard time coaching them cats now, but Kevin knows how, and he has the patience of Job.
I had the opportunity to play alongside Allen Iverson and Kevin Ollie at the same time. I kind of had the best of both worlds. I had one guy that was super talented and another guy that came with his lunch pail every day and that was a worker. I want to kind of be a mix of both.
I saw Tom Cruise at every audition I went up for, and he was a friendly go-getter back then. You gotta remember, in New York I would go up for something, I would sit, and in the room would be Matthew Modine, Matthew Broderick, Andrew McCarthy, Tom Cruise, and Kevin Bacon.
Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.
People are making a lot of music and higher and higher quality. I can't say the same thing for how people are listening to music. People are hearing music through terrible speakers, little computer speakers, there's a lot to get back to in terms of hi-fi and people listening to better quality, technically better quality music.
It sounds blase but there is a certain amount of luck. We'd all like to take a certain amount of credit for Kevin Doyle... I can't really remember what it was I particularly liked about Kevin when I watched him in Ireland. I had five pints of Guinness in the afternoon and it was all a bit blurred.
When I had my first camera - I was a child of the '80s. I remember what it was like reusing the same tapes over and over again, and having really bad quality and images kind of bubbling up from under the surface.
I can't remember any of the films I've done. You go from one to another, and they all blend in to a big mass. You remember the costumes because you remember how you felt - that Western I did with Kevin Costner where I wore the big hat and the two guns, I remember that.
Any hand that I’ve shaken, any person that I met when I was Joe Blow, now that I’m this guy Kevin Hart, has come back. That’s why I treat everybody with respect. I’m always a nice pleasant guy to meet because when they come back to you, they remember.
Any hand that I've shaken, any person that I met when I was Joe Blow, now that I'm this guy Kevin Hart, has come back. That's why I treat everybody with respect. I'm always a nice pleasant guy to meet because when they come back to you, they remember.
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