A Quote by Zach Galligan

You don't get as invested in someone in 90 minutes as you do over 13 hours of television show. — © Zach Galligan
You don't get as invested in someone in 90 minutes as you do over 13 hours of television show.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
Being a winger or a wide mid, I have to run continuously for 90 minutes, which not only takes endurance but also strength in my legs to be able to be explosive for 90 minutes. I think weight training has really allowed me to sustain for those 90 minutes.
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
Would you rather suffer 90 minutes or 90 years? (Regarding a Bikram Yoga session that takes exactly 90 minutes.)
There some players who show what they can do over 90 minutes and others who demonstrate it in 15.
The television business is based on managed dissatisfaction. You're watching a great television show you're really wrapped up in? You might get 50 minutes of watching a week and then 18,000 minutes of waiting until the next episode comes along.
We don't feel duty-bound to get all the way through a TV program. If we're not enjoying it, we turn over. Movies, we tend to give more of the benefit of the doubt because they're only 90 minutes or two hours. But books, there is this thing of, 'It's a book. I've got to finish it.'
I think that television has become really, really interesting, in terms of character development. You can have 13 hours to develop a character, as opposed to 25 minutes in a movie. That excites me.
Whether it's 90 minutes, or a half, 10 minutes or whatever, I want to show what I can do.
I didn't want people to think I'm just in the movies, where you make money and wait around for 13 hours before you get to do 20 minutes of work.
It's interesting: I went 25 years without watching a single television show. I was one of those people, because I was so inside how a television show was made, if I would turn on somebody else's show, I would sit there and analyze it, like, 'Oh, so they had four hours in this location and had to get out and the number of set-ups, etc.'
Of course, I was a little concerned about it being over two hours [in "Aquarius" ]. "Neighboring Sounds" was two hours and eleven minutes. This is two hours and twenty-five minutes, and I did try bringing it down. For instance, I considered cutting out the sequence with the family looking at pictures.
I train all week just to play for 90 minutes. I love playing games, and so during those 90 minutes, it's always 100 per cent.
On '90 Day Bae,' Marcy Jarreau and I recap '90 Day Fiancee' because it's just the most insane, funniest show on television.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
Television is blue-collar work. You clock in in the morning; you work 12, 13 hours - sometimes 18 hours if you're doing 'Orphan Black.'
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