A Quote by Zach Johnson

My boring, mundane, diligent kind of golf works sometimes. Actually, it works all the time. And sometimes, on the greatest stages, it really does flourish. — © Zach Johnson
My boring, mundane, diligent kind of golf works sometimes. Actually, it works all the time. And sometimes, on the greatest stages, it really does flourish.
You just kind of go and do your own thing. Sometimes it's really hard to compare apples and oranges, so you don't really think of it that way. You just perform to your fullest potential and hope everybody else does too. And however it works out, it works out.
I'm sure there have been a lot of boys I've chased over the years that has been fueled by alcohol and stupidity. But that's kind of how things happen - sometimes you have to do something really stupid, and sometimes it works out, and sometimes you fall flat on your face.
I just try to show up and be relaxed and present and honest. And that's my only trick. And sometimes it works, and sometimes it doesn't. Honestly, sometimes it really doesn't work.
Improv. Sometimes it works, sometimes it doesn't, but when it does, it's like open-field running.
The improv, sometimes it works, sometimes it doesn't, but when it does, it's like open-field running.
There's this moment sometimes, when you do a crossword puzzle and you have the one really long word. And once you get that, the whole thing kind of comes into focus. Sometimes it's just working things over in your mind and then finding that one line that kind of ties the song together, and now it works. It's a puzzle of sorts.
The question is how do you do it [more consumer protection] so that it actually works that way? And that takes analysis, and sometimes collaboration between government and business, to understand how that works.
It's always interesting - how do you actually convey thought through song? We're used to the convention on stage. In film, we used to be used to it, and now sometimes it works and sometimes it doesn't. You need to be fresh and really look at the material.
Actually, if you look at the works of the great architects of our time, you can see that their most beautiful works are always their later works - Kahn, Corbusier, even Gehry.
Sometimes it works, sometimes it doesn't. But there is always a time and a place for the subsets within genres.
Sometimes time actually works against you if you refuse to face the relevant issues and explain to the public what is at stake.
My works really begin in a very simple way. Sometimes it's an image, and sometimes it's words I might write, like a fragment of a poem.
People get sick and sometimes they get better and sometimes they don't. And it doesn't matter if the sickness is cancer or if it's depression. Sometimes the drugs work and sometimes they don't. Sometimes the drugs work for a while and then they stop. Sometimes the alternative stuff works and sometimes it doesn't. And sometimes you wonder if no outside interference makes any difference at all; if an illness is like a storm, if it simply has to run its course and, at the end of it, depending on how robust you are, you will be alive. Or you will be dead.
Sometimes there's a disjoint between what works on the page and what works with visual story telling.
I'm not angry, I'm not an angry person, but I do sometimes like playing with the perception of anger, as in pretending that I'm more angry than I actually am, and sometimes it works quite well.
Every musician creates a bank. You'll first check if any of the songs from the bank fits in, and if you feel it does, you suggest it to the filmmakers. Sometimes it works, while sometimes it gets rejected.
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