A Quote by Zach McGowan
I had been at Comic-Con, and I have the same manager as Bob Morley, so we ended up at a Warner Bros. party. I met Jason Rothenberg for the first time, and he's a fan of Black Sails and Shameless and some of my work, and was like, "Hey, we've been having trouble casting this part. I think you'd be perfect for it, if you'd be willing to come up and have some fun for some episodes."
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The methods by which men have met and conquered trouble, or been slain by it, are the same in every age. Some have floated on the sea, and trouble carried them on its surface as the sea carries cork. Some have sunk at once to the bottom as foundering ships sink. Some have run away from their own thoughts. Some have coiled themselves up into a stoical indifference. Some have braved the trouble, and defied it. Some have carried it as a tree does a wound, until by new wood it can overgrow and cover the old gash.
I've been through the entire gamut of the music industry - I've been playing in clubs since I was 14, and I've been on Warner Bros, on Sony - I've had lots of successes and some serious times of struggle.
I probably would have no capability of absorbing a 60-defeat season as a coach. It would be a foreign experience. My whole career, even as a player, has been on winning basketball clubs and it just seems to have been a part of the make-up of what’s been given me. That’s what I’ve been given and that’s what I’ve had to deal with. Some people can make fun of it or some people can have a good time with it, or some people can resent it. It’s just what it is.
The Flaming Lips have been on Warner Bros. forever, and certainly everything I heard growing up was on a major label in some way, from the Cure to Radiohead to Bjork.
Some kinds of activists are more willing to try stuff out, see if works and think on their feet, but some of the people who are working on [change] find that very difficult: They've been schooled into thinking you have to come up with the perfect plan in advance. It has become a bit technocratic.
I have been lucky with writers. None have been real trouble. Some I never met. Some I meet only after the book is finished, and some, the easiest to get along with, are the dead ones. Most become friends.
My definition of good is that you understand that this is a question of power. That you be willing to give up some power. That you be willing to give up some resources. That you be willing to pay Black people reparations for our years and years of service in this country. That you be willing to go home and tell your white mother and father about white racism and how it affects and kills Black people in our communities. That's my definition of good white people, and I haven't met any like that.
I've ended up on some website list or some other list for super right-wing people. They've been tweeting some pretty rude stuff at me, so I think there's a sect of America out there that doesn't like certain opinions and can really take their claws out when they don't like what you're saying.
Loving is like music. Some instruments can go up two octaves, some four, and some all the way from black thunder to sharp lightning. As some of them are susceptible only of melody, so some hearts can sing but one song of love, while others will fun in a full choral harmony.
The white backlash has been at work for a long time. It's been part and parcel of the Republican Party for the last 25 years or so, and it's been highly successful up until Barack Obama was ingeniously able to come up with strategies to deal with it.
Casting is sometimes like going to a party. You get there and everybody at the party is wonderful. They're funny, they're interesting, and the next time you go to a party, you kind of want those same people there. I do find myself going back to a lot of the same actors I've worked with because it was fun, it was good and I know they can do the job. When we have tight deadlines to cast a project, that's how some decisions are made.
I had some pretty weird fan mail growing up, sometimes from prison and wherever else. Nothing too intense. Some superfans that maybe went a little overboard with gifts and whatnot, expecting something other than what it could be with a kid. That's a little weird. But at the same time, it's like, "Hey, I'm getting free video games. I'm not going to return it if you sent it!" Thankfully we never felt unsafe.
I've always been a fan of the band setting. I've always been a believer in bands, and I've always been in bands. That's where my comfort zone is. So to stand outside of that, that was never my intention or goal. I never had the dream of, 'I'm gonna go into all these bands as a spring board for my solo work.' But life takes you on different journeys sometimes. I ended up playing a bunch of songs and some of them I really liked.
I think that for some time now I have been living with an anxiety which has had no tangible cause. It has been like having a toothache, without the conscientious dentist having been able to find anything wrong with the tooth or with the person as a whole.
I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.
The first thing is to be willing. You must become willing to feel the discomfort that's occurred and/or shown up. Some of it is taking ownership of your part in the situation, to clean it up and be willing to make amends.
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