A Quote by Zach McGowan

As you do on any cable series, if they introduce you as the villain, then you better start working towards making him a really good guy, or if they introduce you as a really good guy, then you better start working towards being the villain. Your character has to go somewhere, or else they become very uninteresting.
John Abraham is a really good guy. We get along very well. It's a nice thing when you have a great tuning with your co-stars, as it makes the working experience all the better. Then you look forward to working with each other every day when you are shooting.
Kimbo Slice the man, you watch the YouTube videos of this guy in backyards, and they start fighting and you think this guy's a thug. You think he's a bad guy, you have this perception of him and then you meet him, it isn't true. It's the exact opposite. He's a really good guy.
When I start creating a villain, I start liking the villain and so the villain is not really evil.
When I started out in wrestling, you have to start somewhere and you either start being the good guy or the bad guy. There is several cliches that follow that.
'Villain' succeeded because we were genuinely working towards a good film. We worked hard and with a lot of conviction.
If I was going to start over, then I wanted to go somewhere I could get better and win and see if I was a really good player. That's why I came to Duke.
If it's a really well written villain, he probably has more layers than the archetypal good person. So that would be very attractive to an actor. No one chooses to be a villain; it's usually a reaction to something else.
Well, you need the villain. If you don't have a villain, the good guy can stay home.
You need the villain. If you don't have a villain, the good guy can stay home.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
When you're young, you don't care about your parents and what they're doing. But then you get to your 20s, and you start watching their movies. And then you become an actor, as I did late in college, and then you're really watching them. And they were really very good.
I'd rather be called a good actor than be labelled a good-looking guy. I have been working towards it all along, and I hope to be able to go far ahead, because that's my foremost goal.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
I think we're so advanced when it comes to watching narrative material. I mean, it's all we do is consume content all day long. So when a character walks onscreen, you immediately start making connections for that character: Is that a good guy? Is that a bad guy?
I've never really viewed myself as particularly talented. I've viewed myself as slightly above average in talent. And where I excel is ridiculous, sickening, work ethic. You know, while the other guy's sleeping? I'm working. While the other guy's eatin'? I'm working. While the other guy's making love, I mean, I'm making love, too. But I'm working really hard at it.
Just work. Don't wait. Everybody's waiting until they have the perfect idea to start working. Even if you have an inkling of what you want to do, start moving towards it. And it's going to flesh itself out through the process of moving towards the goal. And by the time you get to where you're going to be, it's not going to look anything like it did when you sat on the couch thinking about it. And if you wait until it's perfect in your head before you get of the couch and start working on it, that's never going to happen.
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