A Quote by Zach Roerig

I keep dumbbells in my trailer, and I work out between takes. — © Zach Roerig
I keep dumbbells in my trailer, and I work out between takes.
Personally, I like one hand preacher curls with dumbbells. You don't have to do 100 pound dumbbells to get a burn. Heck I can do 35- 45 dumbbells and get something out of it. It's also great for guys that travel. It's the one piece of equipment that most hotels always have.
I generally work out every day. If I'm at work, between takes I'll do push-ups and an ab routine. I'm there for anywhere from 10 to 16 hours a day, so sometimes I can't work out at my house. I will do sit-ups on the stairs, I work out in the interrogation room. It gets the blood going, and it keeps you up.
In 1938, when I had decided that the only way to see the country was in a trailer, and I built the trailer which I still have and lived in it for eighteen months, and learned America from San Diego to the Canadian border, from Miami to New Jersey, and east to west in between.
You were there all day long, 12 hours a day. So there was none of this, 'I'm going back to my trailer, my trailer's bigger than your trailer,' that kind of Hollywood nonsense.
I have a bag with a toothbrush and toothpaste and all the things I might need during the day. I call the bag my trailer. Sometimes you don't have a trailer, so that's my trailer.
I keep 10-pound dumbbells in my dressing room. It's nice to do before a show to get your muscles to wake up.
I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
If you've noticed that dumbbells work better than barbells for you on the bench press, then why change that?
When we were all kids, there was one particular trailer that I think we can all remember. That was the trailer for 'Close Encounters of the Third Kind.' There was an amazing teaser trailer with all this weird kind of documentary footage. We were like, 'What was that! I've got to see that! What the hell was that?'
Children may be born angels, but with all the temptations out there in the world, it takes work to try to keep them that way.
Morality may keep you out of jail, but it takes the blood of Jesus Christ to keep you out of hell.
The truth is that at age 19, I was a teenage mother living alone with my daughter in a trailer and struggling to keep us afloat on my way to a divorce. And I knew then that I was going to have to work my way up and out of that life if I was going to give my daughter a better life and a better future, and that's what I've done.
The painting cannot be laid aside even for a day; for it takes constant work to keep 'flowing,' but above that it takes concentration, which in our language is consecration.
I am always working on the go. I have never had an office that I work out of and work has become intertwined with my personal life. Fortunately I am able to work from my home and can answer my e-mails in the morning, play tennis or kitesurf in the afternoon to keep fit and have meetings or phone calls in between.
In my trailer, I work out with free weights and do situps and push-ups. I'm just trying to stay lean and active looking.
I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.
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