Trying to talk through and figure out new answers really helps me figure out more about what I'm doing - and what we're all doing.
It was important for me early on to find the voice of each character and figure out what was unique about them and their individual worldview that I could use for comedy or conflict.
I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audience shy and uncomfortable. And in a comedy you just want them to loosen up and laugh.
I think it's natural if you're doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.
I think its natural if youre doing a lot of comedy to do a lot of drama, because you have to figure out the real version of the joke.
Comedy really is my bread and butter, even when I'm doing a serious character, with the exception of Outcast. I have found very little humor in this character. Most of the time, what I do, somewhere there is comedy in it.
I envision the script as a story in my mind, memorize the entire thing and have it play out. It helps me figure out where my character needs to go.
Confident people, who understand comedy, improvise so much better than people who are scared. You can't be scared to improvise. You have to know your character, and then you have to let go.
I have a work-out regime; I am not a maniac. It sounds cliche, but stand-up comedy, doing a one-man show, helps keep me young, and yes, it is exhausting, but I don't collapse.
I moved out to L.A. to be a filmmaker or director. I didn't even think about doing comedy or even acting. I wanted to be like Paul Thomas Anderson or Wes Anderson, but I wasn't going to a lot of comedy.
The point with me is that it's always been, even with the stand-up, that the music has to be right. You have to take it seriously. You have to try and play it as faithfully as possible. That way it helps the comedy. Rather than just playing it in a silly way.
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
If you are lucky as an actor, you are doing a character that really matches where you are in life, or you're doing a character that is not where you are. If it's somewhere in between, you have to use a lot of imagination and a lot of thought.
On 'MythBusters,' a lot of what we do does not fall into any category of things we have ever done before. There's a lot of problem solving to figure out how to even approach a given problem. A background in science or engineering helps a lot.
I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze the time period with comparisons to the figure and the facial structure. It helps to be comfortable with computers because the massive amount of research is kept electronically and shared with my staff this way. Very little is printed out. I work with an illustrator to come up with the proper silhouettes and details of the clothing from the time period to time period. And on and on.