A Quote by Zach Woods
Sometimes you read pilots and, understandably, they're doing such a frantic tap dance for approval. I get why - it's such an incredibly competitive market.
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I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
There are people who take tap class, do a tap dance. And then there are people who know the dance, who know why they take tap classes. Who know why they do 20 shuffles, or 50 shuffles, before they go on.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.
I don't tap dance, and I don't think you can learn to tap dance in three weeks at my ripe old age.
I want to know why I read as a child with such a frantic appetite, why I sucked the words off the page with such an edge of desperation.
Salads was a big indicator of that - there was a huge market out there for it. And why not tap it? Some of the things we are doing now around the globe are responding to customers. It's not because some guy sued you.
Of course I have an ego, but you have to have an ego. You have to be incredibly competitive. I can get competitive at times, way too much, and it becomes a little bit obsessive.
Any girl who has flown at all grows used to the prejudice of most men pilots who will trot out any number of reasons why women can't possibly be good pilots. . . . The only way to show the disbelievers, the snickering hangar pilots, is to show them.
I'm just looking forward to doing these videos with AXE. Doing more directing, collaborating with them, finding ways to kind of like tap into temptation with their market and their audience and mine and find cool, creative ways to get the brand out to people. And I think they're doing a really, really good job. So we've got some cool stuff coming up.
I believe this: If an actor wants a role or wants to work with somebody, then you do everything within reason to try to get that role. If they want you to audition, you audition. If they want you to screen-test, you screen-test. If they want you to come and tap-dance in their hallway, you tap-dance in their hallway.
There's a dance that happens with you and that's why I really like doing it with stunt men, because they know how to dance generally better than actors do. It is choreography and if you aren't used to doing it things can go wrong.
Approval is overrated...Approval and disapproval alike satisfy those who deliver it more than those who receive it. I don't care for approval, and I don't mind doing without.
I was really creative. I started to dance very young. I loved to dance. I begged my mother to put me into dance classes, and finally, in third grade, she did. Tap and jazz, but not ballet.
Many investors understandably want to do good while also doing well. But the standards for ESG investing are often unclear and sometimes contradictory.
I look forward to the day when China has a truly market-determined solution... To get there, you need to have a currency that is market-determined, an open capital market, and you are going to need a competitive, open financial system.
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