A Quote by Zach Woods

When I was a kid, my father would read Neil Simon plays with me, when I was going to bed, as bedtime stories. — © Zach Woods
When I was a kid, my father would read Neil Simon plays with me, when I was going to bed, as bedtime stories.
When I was a kid my father would read Neil Simon plays with me when I was going to bed, as bedtime stories. All of these old plays like The Odd Couple and Lost in Yonkers - funny but corny plays about Jewish New Yorkers in the mid-20th century.
I was told bedtime stories by my father or my grandmother. Books, I mostly read on my own in bed.
When I was in high school, I read all of Neil Simon's plays.
I'm not great at bedtime stories. Bedtime stories are supposed to put the kid to sleep. My kid gets riled up and then my wife has to come in and go, 'All right! Get out of the room.'
I toured around the country and met all these Broadway producers who put me in all these Neil Simon plays like 'Brighton Beach Memoirs' and 'Biloxi Blues.'
As a kid, I was a big reader. Books and theater were the way I understood the world, and also the way I organized my sense of morality, of how to live a good life. I would read all night. My mom would come into my room and tell me I had to go to sleep, so I would hide books under my bed. At first I had a tough time getting through novels, so I read plays, because a play is generally shorter and has all those tools for getting people hooked early on.
My dad did every single accent under the sun, and he would read bedtime stories.
Bedtime stories were definitely a big part of my life because I was just so excited my father was talking to me.
One night a friend lent me a book of short stories by Franz Kafka. I went back to the pension where I was staying and began to read The Metamorphosis. The first line almost knocked me off the bed. I was so surprised. The first line reads, “As Gregor Samsa awoke that morning from uneasy dreams, he found himself transformed in his bed into a gigantic insect. . . .” When I read the line I thought to myself that I didn’t know anyone was allowed to write things like that. If I had known, I would have started writing a long time ago. So I immediately started writing short stories.
When I was very little my mother would read to me in bed. She gave me a fascination for stories, and for the music in words.
My mother wrote poetry when I was young - I have an early memory of the sound of her typewriter - and my father told me inventive bedtime stories.
I love stories. I loved stories when I was a kid. My mom read stories to me all the time.
Sometimes I'd see my father, walking past my building on his way to another nowhere. I could have given him a key, offered a piece of my floor. A futon. A bed. But I never did. If I let him inside I would become him, the line between us would blur, my own slow-motion car wreck would speed up. The slogan on the side of a moving company truck read TOGETHER WE ARE GOING PLACES--modified by a vandal or a disgruntled employee to read TOGETHER WE ARE GOING DOWN. If I went to the drowning man the drowning man would pull me under. I couldn't be his life raft.
The 'My Mother the Car' script read like Neil Simon compared to the 'Gilligan's Island' script.
Whatever our bedtime was as kids, we could stay up an extra half hour if we were reading. My parents didn't care as long as I was under the spell of a Stephen King or a Douglas Adams. Now I read in bed. I read at work. I read standing in line. It's like, 'Hello, my name is Nathan and I am a reader.'
My father would read me Page Six instead of, like, kids' stories.
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