A Quote by Zach Woods

This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. — © Zach Woods
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
It's really a trade-off: you're always having to decide whether you're going to say the more ambitious thing, and lose a little clarity - or are you going to say something really clearly, and sacrifice a little nuance? Get too obscure, and you sound like a pretentious asshole; go overboard with the clarity, and you sound like you're talking down to your audience, or like you yourself are a reductive simpleton.
I like to find comedy or something interesting to look at with whatever I'm working on.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
In England, we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
In England we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.
Oh man, there's no shortage of craziness happening on the American landscape right now. I'll turn on the TV every day or check out the newspaper, and there is something to find humor in or something to find absolute fear in. Either way, it makes for good comedy.
I really gravitate to the comedy of tonal contrasts. I hope that doesn't sound insufferably pretentious. What I mean is people having reactions to things that seem inappropriate, or being happy in an apparently unhappy situation.
I want my music to sound like throwing yourself out of a tree, or off a tall building, or as if you’re being sucked down into the ocean and you can’t breathe… It’s something overwhelming and all-encompassing that fills you up, and you’re either going to explode with it, or you’re just going to disappear.
It sounds stupid, but there's nothing like walking down the street and seeing a building that's older than 100 years old. I think London - not to sound pretentious - like New York, it's a big melting pot for all things and it's just got this energy that you can't find anywhere else.
I want to paint. That is probably going to sound so pretentious coming from someone who's been a musician.
I think some period drama can be quite alienating, but 'Downton' isn't. This is going to sound quite, um, pretentious, but someone said that it's like a soap written by a poet.
Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.
I get ideas from everything. A big color, the sound of water and wind, or a flash of something cool. Playing is like life. Either you feel it or you don't.
If I wasn't going to be a surgeon, I wanted to be a farmer or grow oranges or something like that. I grow flowers now - orchids. That is something that I find very interesting.
Horror is like comedy. Woody Allen's comedy is going to be very different from Ben Stiller's comedy which is going to be different from Adam Sandler's comedy which is going to be different from Judd Apatow's comedy. They're all comedy, but they're all very different types and you can enjoy all of them. Horror is the same way.
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