A Quote by Zachary Cole Smith
I wanted to show a different side of ourselves. I wanted to see in what ways I could explore something new. I felt like working on a double record would give people a lot to have.
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Well, one of the things we felt was missing from the greater conversation is that transgender people have been living and working in America for years...People may think it's a "new" thing; it's not...So we wanted to show not just the political side, which is what you see with Caitlyn Jenner. And not the other side with Laverne Cox, who's great.
I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.
I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
My parents were both writers - they would type their manuscripts sitting side by side on the veranda of our house near Watford - so I wanted to do something different. I wanted to be a bluegrass singer, an architect, a landscape gardener, or to do something with animals.
I wanted to show that even if you fail, you have the ability to pick yourself up off the floor and try again. I wanted to show a different side of what a disability looks like to highlight all the invisible ones.
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
I wanted to show what it's really like for 98 percent of the world's population [in the third world]. Plus, I also see there are an awful lot of young people out there doing good things, and I wanted to give them a platform.
I wanted to see myself as something different, and I wanted to convince people that I was capable of something other than what they would expect from me.
From the age of 14, I remember thinking I wanted to be a comedian. But that was like saying I wanted to be an astronaut. It felt like a million miles away, something I could never do, but would be great to.
We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.
I wanted to show the world, and myself too, what I can do. I came up in the world of Philadelphia soul, but I'm fluent in a lot of languages musically and I like working with different people from different generations.
I was lucky I went to school in London because the tutors could see what to do. I knew I wanted to do something different. Why would I want to do what other people were already doing, because they would always do it better? I always wanted to work around the body. So throughout my college years, my work was quite free.
We wanted to show people what it was like in one of those neighbourhoods that they would never have access to, in bars that they would be too scared to go into, and a world that they would never get to see. All of that is something really unusual and rare and kind of fascinating. And the only way to do that and to make it really worthwhile was that it had to be authentic. We dedicated a lot of time and energy to making that right and real. So we found basically the worst locations that we could.
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
There's definitely a whole different vibe on the set when there's like basically royalty working with us. We could have whatever we wanted. I felt like Britney Spears.
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