A Quote by Zachary Cole Smith

I feel like every great record is like a world in itself. — © Zachary Cole Smith
I feel like every great record is like a world in itself.
I feel like - like Netflix is great if you've got a project ready to launch itself into the world rapidly.
I feel myself always the patriot of all oppressed fatherlands. Nationality is a historic, local fact which, like all real and harmless facts, has the right to claim general acceptance. Every people, like every person, is involuntarily that which it is and therefore has a right to be itself. Nationality is not a principle; it is a legitimate fact, just as individuality is. Every nationality, great or small, has the incontestable right to be itself, to live according to its own nature. This right is simply the corollary of the general principal of freedom.
It's really funny to me that I get called a workhorse or somebody who's really good at making other people better in the ring. I feel like I'm good at every aspect of this. I feel like I'm a great talker; I feel like I'm a great representative of the company. I broke records in college. I have an amateur background with fighting skills.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
Kickstarter is such an amazing platform, it really is. It's something great for independent artists of all kinds because every musician and every artist needs help to produce the record, make the record. It's like the modern day patronage. It's turning to your direct fan. It's a good motivator too.
The first record was basically a quick, fast record. The second record, we were going for more of a poppier sound - like a heavy pop sound. For 'Rocket to Russia,' we'd sort of reached our pinnacle. We'd gotten really good at what we were doing, so that's like my favorite record - that's a really good record. It's just great from beginning to end.
Music was so important to the culture when I was growing up in the Sixties and Seventies. We just expected that Bob Dylan was going to make a great record, and it was normal. It was like, 'Okay, here's another great record by Bob Dylan; here's another great record by Led Zeppelin.'
I always feel like out of every session that I do, whether it's a record session or even a concert, I like to think that there was something in there that I didn't do before. That's my goal.
I never want the girls I work with to feel like back-up. The world doesn't make us feel like stars all the time, so in my world, you're gonna look like a star and feel incredible.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I've been every size in the world. Parts of my 20s, I was in great shape, but I didn't appreciate it. If I was a 6 or an 8, I thought, "Why aren't I a 2 or a 4?" Now I feel like I have two great kids and the dreamiest husband on the planet, and everything else is just a work in progress.
We all have those days when you feel like you're against the world, every little thing goes wrong and your blood pressure is up. And you feel like punching somebody!
I feel like every record I've ever made, on some level, is urgent.
Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
I feel like life is so special and so great, every year I feel like I learn more, and I grow, and I think it's exciting to grow up.
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