A Quote by Zachary Quinto

I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera. — © Zachary Quinto
I had to learn how to modulate my performances and interpretations of these roles in auditions for the camera.
I usually tape about 99 percent of my auditions at my house. I have a camera and record myself, and my mom reads the other lines off-camera. Then I send it to my agent and manager, and they send it to the casting director, and we see how it goes from there.
My performances in auditions were so inept that I hardly got any jobs in film or TV. I just could not learn the lines and the thought of doing theatre terrified me. What if I forgot my lines in the middle of a scene with an entire audience watching?
The odd thing is how, I think, the intensity and devotion to my craft and the intensity of certain performances or types of roles I've played overshadow the comedic stints that I've had. 'Darjeeling Limited' is a comedy; The 'Brothers Bloom' is a comedy.
I'd love to be remembered as a character actor who brought illumination to roles in wonderful plays and who delivered performances that made people think and rethink those roles.
My auditions for drama school were miserable, but one thing I had on my side, although I had no experience or skill or training, was that I wanted to learn everything.
How difficult it is to learn not to see like cameras, which has had such an effect on us. The camera sees everything at once. We don't.
You can get good performances in quite sizable roles from people who have never been in front of a camera, people who maybe have never been in front of a movie theater.
My mother often says that she could never have done it if I had been the youngest, if she had other small children she had to cart around New York City for my auditions and go-sees (modeling auditions) and stuff.
I was thinking, with the TV exposure I had with WWE - and it's kind of hard to explain to people sometimes how many countless hours you are on television when you've been on the road with WWE - I was thinking that was going to open doors, get me auditions, and get me into a lot of high profile roles.
If we had an audience to play to, the performance would have gotten too big. Sizing our performances to the camera was an important journey for me at least.
People think that it is important to learn by assisting the great photographers. I say that is a big mistake. Be happy; just learn from any little guy. Learn how to use the camera - you don't need anything else. You can't be taught the real skill anyway.
George Hearn taught me that you learn that there are roles that are Tony roles and roles that are not.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
Being on a show like 'Fear the Walking Dead,' I started to learn more about camera work, learn more about the way the crew operates, and had more of a stronger opinion on how I think a television director can operate in the healthiest way.
In principle, I think the idea of rewarding a good effort is interesting, but movies are generally different from each other as are performances and the conditions on how the performances are given and how they're edited and so forth.
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