A Quote by Zachary Quinto

I met Glenn [ Greenwald] briefly in 2009. We were both guests on Real Time With Bill Maher. I was the show's guest and he was on the panel. But this was before the Snowden stuff happened. I didn't have the opportunity to meet him in preparation for the movie, unfortunately, for various reasons. But I was able to dive into the main articles he's written, and interviews with him, and just the function that the character serves in the movie, that was enough for me.
If it was a biopic about Glenn Greenwald, I would have immersed myself more fully in his personal life and gotten to know him as much as I could, but because it was much more about his relationship to this particular situation, to The Guardian, to Laura Poitras, and to Ewen MacAskill, and Edward Snowden, I was able to really learn a lot about him from reading his book and reading his many articles and accounts of that time.
Politically Incorrect was the name of the show Bill Maher hosted in the 1990s. It's also an apt description of the man himself. Now host of - HBO's hit show Real Time, I find Maher to be one of the sharpest observers of American politics and life in general out there. It doesn't mean I always agree with him. I always find him funny, though.
Most books about Stanley Kubrick were written by people who never met him and gathered information from articles written by others who didn't know him either.
I've been told over and over not to go on the Bill Maher show. Well, my best moments have happened on the Bill Maher show. It's been magic for me.
Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.
I did meet Steve Wozniak on several occasions leading up to the filming of the movie. It wasn’t really written how he is. So the second I met him, it almost was a relief, because I was like, "OK, good, the real Steve Wozniak is like one of the least confrontational people you would ever meet in your entire life."
I didn't get a chance to meet Glen [Beck] for this movie. I did meet him a few years ago, coincidentally, before any of this happened. But I've been familiar with his work, so I felt I wanted to get it right. I wanted to honor him. I respect him and I think the way he does his job is admirable. Yeah, there was an added incentive. I wouldn't call it pressure, but incentive perhaps.
I felt that if a man's proposals met with approval, it should encourage him; if they met with opposition, it should make him fight back; but the real tragedy for him was to lift up his voice among the living and meet with no response neither approval nor opposition just as if he were left helpless in a boundless desert.
You need to learn that, unless your lead character is written in a way that one of the 20 movie stars want to play him, your movie will not get made.
We don't stand here alone, it's possible through the great organisations that support us. The disclosures that Edward Snowden revealed aren't only a threat to privacy but to democracy, when the most important decisions made affect all of us. Thank you to Edward Snowden. I share this with Glenn Greenwald and other journalists who are exposing truth.
Miles Davis, my one and only real hero of my life. I met him [because] every time I had a movie interview, I would shift the conversation to jazz. Miles, when I finally met him, he knew he had a sucker walking in the door. Because his people told him, “This guy plays the trumpet and every freakin’ interview he has ever given, he’s talked about you.”
I always think that's really lazy, when I'm watching a TV show or a movie or something, and there's a flashback and the idea is, 'This one moment is the reason that everything happened. This character saw this guy, and this guy said this thing to him, and that's why he is this way.' Because I think in real life, it's not so one-to-one.
I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic.
The old Johnny Carson 'Tonight Show' was great in that he was so good with the guests, and it was not about him. I think he was very smart in realizing 'I have plenty of screentime on this show. I do my monologue and we do sketches and stuff like that.' During the interview, he really made it about trying to bring the best thing out of the guest.
I haven't had the opportunity to play the main 'axis of evil' character before, so 'Vincenzo' serves as another challenge to me.
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