A Quote by Zack Snyder

You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.' — © Zack Snyder
You know, it's a hugely difficult thing to take any work of art or drawing and say 'make that real.'
Art really is something very difficult. It is difficult to make, and it is sometimes difficult for the viewer to understand. It is difficult to work out what is art and what is not art.
I do a lot of work on computers, but I am so practiced in drawing that I can draw it full size, and you can take the measurements off my drawings. It's like drafting, but it's a work of art - a really beautiful drawing.
I think there is a debate in the arts about, you know, whether we must strive for art for art's sake, and you know, kind of try to keep political debate out of our work. And to that I say, I'd like you to show me an example of, you know, this so-called apolitical art. I don't think there's any such thing.
I was always interested in drawing and creating, but it never really occurred to me that I could pursue art as my profession until my mid twenties. From all I had heard from other people, art was just something you do as a hobby in between your real work and real jobs.
My drawing came out of editorial-style cartoons. Music was one thing and art was another, and there weren't really any standards for my art. My work was just drawings. They weren't done with any aspirations of becoming a part of punk scene. They weren't about punk. They were just collections of drawings, some of which I xeroxed and sold.
I like real art. It's difficult to define 'real' but it is the best word for describing what I like to get out of art and what the best art has. It has the ability to convince you that it's present - that it's there. You could say it's authentic... but real is actually a better word, broad as it may be.
When I was at Disney and was a character art manager and handing out artwork that had to be inked we had a thing where if there was any lettering on it I'd hear, "I don't letter," and I said, "Look at it. It's drawing. Ink the drawing." I just learned from Mike Aarons how each letter was just part of the drawing.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
The whole point of art, as far as I’m concerned, is that art doesn’t make any difference. And that’s why it’s important. Take film: you can have quite extreme emotional experiences watching a movie, but they stop as soon as you walk out of the cinema. You can see people being hurt, but even though you feel those things strongly, you know they’re not real.
Here's the thing, trust changes everything. Once you know what an artist can do, and you know their commitment level, it opens up the playbook hugely. I have worked with artists I really love, but they may have some small aspect that they hate drawing, or that they don't excel at, and that effectively takes that option off the table.
You can make a sordid thing sound like a brilliant drawing-room comedy. Probably a fear we have of facing up to the real issues. Could you say we were guilty of Noel Cowardice?
I say that the art of sculpture is eight times as great as any other art based on drawing, because a statue has eight views and they must all be equally good.
You can't really appreciate a work of art until you can understand how difficult it was to create. And that's probably true of any work of art - a rock, a tree, a bird, a fish, a sunrise made of light and air.
When I was in school, they say everybody can do art. And I was, like, a little bit obstinate - not an anarchist, but I was always asking questions. I said, 'Isn't art supposed to be difficult?' If we can all do art, then it's not really art. It's supposed to be difficult.
When we look at a painting, or hear a symphony, or read a book, and feel more Named, then, for us, that work is a work of Christian art. But to look at a work of art and then to make a judgment as to whether or not it is art, and whether or not it is Christian, is presumptuous. It is something we cannot know in any conclusive way. We can know only if it speaks within our own hearts, and leads us to living more deeply with Christ in God.
I perform in art time and in real time, and you can't tell the difference - no one knows how to separate a real act from an art act in my work. When I lived on the street for a year, people only knew that I was homeless. They didn't know that I was an artist doing a piece. I have to use real time in my work. I do, however, have to find a subtle way of documenting real time, in order for people to have a response. That means punching into a work clock every hour in the case of one piece.
This site uses cookies to ensure you get the best experience. More info...
Got it!