A Quote by Zacky Vengeance
The first review our band ever got - when I was 17 years old and we had just released our first EP, and this tiny little magazine wrote a review on it, and for that month, we were the best album of the month, and we were also the worst album of the month. We won best and worst album of the month in the same magazine.
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I emigrated to the U.S. on February 3, 1983, when I was 19 years old. I joined Steeler right away and recorded the album the following month. I'd been playing in bands in Sweden since the age of 11, but 'Steeler' was my first album.
You have to remember when we were going once a month, we were putting out issues that were 480 pages, and people were complaining that these were too big, I can't get through a 480 page magazine every month.
Black History Month is dedicated to heroes that paved the way for Black people. It's a month that's very imperative because it gives those who lack the knowledge of our heroes a chance to gain insight. It's not just about the month, it's about the years that it took for us to get to this one month and it's beyond placing a value on how much Black History Month really means to me.
On the 'Escondido' album, I think it took us a month to make that album.
In 2015 we released our first ever. It was our first album, but it was also our first original album.
June is definitely a special month for me as many of my milestone films have released in this month, but that doesn't mean I consciously choose to release my films only in this month.
It was interesting watching the Afghanistan war review deliberations, this three-month process where Barack Obama did the most thorough foreign policy review ever by a modern American president. Compare that to Libya. For a month he said we weren't going to do anything, then suddenly changed his mind and did it on the fly. My view is that it's not how long or quick you take to make a decision, it's whether you make the right one.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
A band's first album's usually not great. When you made the first album, you had a day job and you were still trying to be serious about it.
I think December has always been the most haunted month, from the gothic-narrative point of view - a lot of Edgar Allan Poe stories are set in December. It's the last month of the year, and it's supposed to be sort of this mystical, spiritual month. And being Swedish, December is also the darkest month out of the year.
I read the reviews sometimes, but I don't let it really affect the next album because, for me, when I approach an album, it's usually coming to me pretty naturally. It's not like I set out, like, "Okay, I'm going to write an album this month." It's more like I'm just always writing songs and eventually I start to realize that a group of songs sort of fits together, and I go from there in putting together the album and themes and artwork and things like that.
The fact must never be forgotten that no magazine publisher in the United States could give what it is giving to the reader each month if it were not for the revenue which the advertiser brings the magazine.
We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
October is the opal month of the year. It is the month of glory, of ripeness. It is the picture-month.
On my first album nobody asked me for a lot of advice. It was a producer's album. We were sent the same type songs with stock melodies. It was my first album and I was happy to do about anything they'd ask me.
Incidentally, the very, very first review that James Lavelle and I saw of Endtroducing was very negative! It was in The Wire, and the context of the review was that, you know, Mo'Wax was so far behind Ninja Tune. Heheheh. And people wonder why there was this sense of a feud between labels! We just kind of looked at each other and we were like, 'Oh, well, let the floodgates open!' But, not to be facile, that was literally the last bad review I ever saw for that album.
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