A Quote by Zadie Smith
Any woman who counts on her face is a fool.
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Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
Any woman can fool a man if she wants to and if he's in love with her.
The woman was silent, her eyes on the floor. Shimamura had come to a point where he knew he was only parading his masculine shamelessness, and yet it seemed likely enough that the woman was familiar with the failing and need not be shocked by it. He looked at her. Perhaps it was the rich lashes of the downcast eyes that made her face seem warm and sensuous. She shook her head very slightly, and again a faint blush spread over her face.
The only points in which I differ from all ecclesiastical teaching is that I do not believe that any man ever saw or talked with God, I do not believe that God inspired the Mosaic code, or told the historians what they say he did about woman, for all the religions on the face of the earth degrade her, and so long as woman accepts the position that they assign her, her emancipation is impossible.
Seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.
When a woman thinks her husband is a fool, her marriage is over. They may part in one year or ten; they may live together until death. But if she thinks he is a fool, she will not love him again.
He leaned up a little and watched her face. Her face would now be, forever, more mysterious and impenetrable than the face of any stranger. Strangers' faces hold no secrets because the imagination does not invest them with any. But the face of a lover is an unknown precisely because it is invested with so much of oneself. It is a mystery, containing, like all mysteries, the possibility of torment.
What woman here is so enamored of her own oppression that she cannot see her heel print upon another woman's face?
After forty a woman has to choose between losing her figure or her face. My advice is to keep your face, and stay sitting down.
A man who flatters a woman hopes either to find her a fool or to make her one.
Drifting snowflakes brushed her face as light as lover’s kisses, and melted on her cheeks. At the center of the garden, beside the statue of the weeping woman that lay broken and half-buried on the ground, she turned her face up to the sky and closed her eyes. She could feel the snow on her lashes, taste it on her lips. It was the taste of Winterfell. The taste of innocence. The taste of dreams.
From the manner in which a woman draws her thread at every stitch of her needlework, any other woman can surmise her thoughts.
It made Fire so angry, the thought of such a medicine, a violence done to herself to stop her from creating anything like herself. And what was the purpose of these eyes, this impossible face, the softness and the curves of this body, the strength of this mind; what was the point, if none of the men who desired her were to give her any babies, and all it ever brought her was grief? What was the purpose of a woman monster?
If her functioning as a female is not enough to define woman, if we decline also to explain her through "the eternal feminine," and if nevertheless we admit, provisionally, that women do exist, then we must face the question: what is a woman?
As the moon retaineth her nature, though darkness spread itself before her face as a curtain, so the Soul remaineth perfect even in the bosom of the fool.
A woman may possess the wisdom and chastity of Minerva, and we give no heed to her, if she has a plain face. What folly will not a pair of bright eyes make pardonable? What dullness may not red lips are sweet accents render pleasant? And so, with their usual sense of justice, ladies argue that because a woman is handsome, therefore she is a fool. O ladies, ladies! there are some of you who are neither handsome nor wise.
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