A Quote by Zadie Smith

I do my best work under pressure, so I’ll nick an artery, and my husband isn’t allowed to stanch the bleeding till I’ve banged out a chapter. — © Zadie Smith
I do my best work under pressure, so I’ll nick an artery, and my husband isn’t allowed to stanch the bleeding till I’ve banged out a chapter.
I wait till the last minute to do lyrics. I seem to work best that way - bummed out and under pressure. I often don't do my homework. But I'll always walk that extra mile.
I get scared of such love where people come out of the theatre and say, 'This is the best work of Anubav Sinha till date.' I feel the pressure and wonder what will I do next.
The Big Bang theory says nothing about what banged, why it banged, or what happened before it banged.
Girls at war opt for a quieter cruelty than fistfights and drive-by shootings. Girls circumvent the corporeal and go straight for each other's souls. The bleeding is harder to stanch.
To say prayers in a decent, delicate way is not heavy work. But to pray really, to pray till hell feels the ponderous stroke, to pray till the iron gates of difficulty are opened, till the mountains of obstacles are removed, till the mists are exhaled and the clouds are lifted, and the sunshine of a cloudless day brightens-this is hard work, but it is God's work, and man's best labor.
She’s been hanging out with Nick.” – Acheron “Nick? As in I-hate-your-guts-Ash-go-die Nick?” – Tory
I'm a great planner, so before I ever write chapter 1, I work out what happens in every chapter and who the characters are. I usually spend a year on the outline.
Broadway is a main artery of New York life - the hardened artery.
I feel pressure every day. It is only pressure that I put on myself, but I would expect all professional sportspeople to feel pressure to perform their best whenever they are at work.
I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times.
I feel very strongly about the legacy of Ghost and I'm the next part of that chapter and hopefully a very long and continuing story through the franchise of Ghost in the Shell which is already a huge universe. So yes, I felt pressure, but you always feel pressure as an artist creatively in any endeavour you do, so you just have to do the best that you can do and then hope that is successful.
I like nudging readers into a slightly different perspective, but in a sly way - I want to be the writer who slips a stiletto in and out, to make so swift and clean a cut, it's not until a chapter ends that the reader looks down and sees she's bleeding and asks what happened.
Given one has before oneself a strong, healthy, youth rich in spirited blood and a powerless, weak, cachectic old man scarcely capable of breathing. If now the physician wishes to practise the rejuvenating art on the latter, he should make silver tubes which fit into each other: open then the artery of the healthy person and introduce one of the tubes into it and fasten it into the artery; thereupon he opens also the artery of the ill person.
There's pressure every night to be the best on the court. I put a lot of pressure on myself. Pressure is part of the game. It is also part of life. I want to prove I can do the work and be a success off the court as well as on it.
I think what makes our marriage work amid all the glare is that my husband is my best friend. He inspires everything in my life and enables me to do the best that I can. I want to hang out with him more than anyone.
We can trace things back to the earlier stages of the Big Bang, but we still don't know what banged and why it banged. That's a challenge for 21st-century science.
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