A Quote by Zadie Smith

I never attended a creative writing class in my life. I have a horror of them. — © Zadie Smith
I never attended a creative writing class in my life. I have a horror of them.
I never attended a creative writing class in my life. I have a horror of them; most writers groups moonlight as support groups for the kind of people who think that writing is therapeutic. Writing is the exact opposite of therapy.
My father's father wrote for a Philadelphia newspaper and aspired to be a playwright. We had in our house a couple of crazy unproduced plays that he had written. For the one creative writing class I took in my life, I didn't do any writing - I decided that I would plagiarize his terrible play to not fail the class.
I was a terrible student, but I never missed a music class. In fact, I don't even think I attended most of my gen-ed classes, but I never missed a single music class.
I've taken every writing class I've had available. I took classes in high school, and I took English and writing classes in community college, but I dropped out of college. I also attended a local writing workshop two years ago.
A creative writing class may be one of the last places you can go where your life still matters.
I've only ever taken a playwriting class, but I like creative writing and writing screenplays.
I realized you might make money at writing, and you might even make a living at it. So after that I didn't write stories just for the class but wrote them for the purpose of submitting them somewhere, and at some point in the process, I began writing them just to please myself and that's where you begin to see the real value of a life of writing.
When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.
Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
I attended sports school in Bulgaria just like my parents. I attended class twice a day and trained twice a day.
Linda Svendsen's 'Marine Life' was important. I was nearly 22. Larry Mathews discussed the book in a creative writing class. We examined her stories, figured out how they worked.
Writing 'The Noonday Demon' turned me into a professional depressive, which is a weird thing to be. A class at the university I attended assigns the book and invited me to be a guest lecturer.
I'm often asked how I write books, but I don't think my approach is suitable for everyone. If I walked into a creative writing class, all I could say to them was 'I tend to make it up as I go along.' I'm not sure that's brilliant advice.
Any life will provide the material for writing, if it is attended to.
In my actual imaginative contact with life, I am vastly more responsive to beauty than to horror - indeed, I never experience real cosmic horror except in infrequent nightmares. However, when I come to record my various imaginative experiences, I generally find that only the horror items have any uniqueness or originality. Others have seen the same beautiful things that I have seen, & have sung them more nobly.
When I went to college I took a creative writing class and decided in a week to be a writer.
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