A Quote by Zaha Hadid

The idea for a building or an object can come up just as quick, but there is a big difference in process. — © Zaha Hadid
The idea for a building or an object can come up just as quick, but there is a big difference in process.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
Big ideas come from the unconscious. This is true in art, in science, and in advertising. But your unconscious has to be well informed, or your idea will be irrelevant. Stuff your conscious mind with information, then unhook your rational thought process. You can help this process by going for a long walk, or taking a hot bath, or drinking half a pint of claret. Suddenly, if the telephone line from your unconscious is open, a big idea wells up within you.
This idea of repetition and revision is central to my working process-this idea of stacking and layering and building up densities and recoveries.
It's always amazing seeing the song-writing process. A song just starts off as just an idea or a story you want to tell. It keeps building and building when you add the lyrics, the instruments, the vocals until you finally reach the finished song other people can enjoy.
I come from a long line of lumberjacks. My family has a proud heritage of swinging the ax. I've always been quick to take on a big piece of timber, and I'm just as ready to topple the big spending in Washington.
The evolution of one's own soul is a process. It's not a quick fix. It's not a five-day workshop. It's a lifetime process where we let go, discover and then allow for futures to come into existence.
Instead of thinking about building up my image or building up my brand or building up my career, I've turned it and taken the approach of focusing on what I can give instead of what I can get. It's been a very enjoyable process for me. That's more of a heart position that I've taken. It's been one of the greatest things I've ever done.
Supernatural movies generally have a much more brooding pace. If you look at films like 'The Sixth Sense' or 'The Others,' it's more building up the characters and building up the situation as opposed to just opening with a big action set piece.
We didn't have that big-label push. We weren't the kind of band that our label Warner Bros. Records was going to throw all this money at. Their idea was to support us on the road and see what happens. It was a very slow building process.
Building up expectations, creating unrealistic time frames, feeling like our end goal is the end all, be all can all lead to frustration or anxiety. We end up feeling as though we have to power through what we want rather than enjoy the process and just let the result come as it may.
I think there's something so wonderful about being part of the process from the seed of the idea to seeing it come to life on a screen. And to have a hand in that creatively, not just showing up as an actor for hire.
I realize that as quick as you go up, you can really come down that quick. And we've seen it happen with others.
We are so busy telling God where we would like to go. We wait with the idea of some great opportunity, something sensational, and when it comes we are quick to cry, 'Here am I.' Readiness for God means that we are ready to do the tiniest little thing or the great big thing, it makes no difference.
When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nordiminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.
The idea of, say, the compressed space between the floor and the object hanging over it and then the long space between the object and the ceiling was a kind of interesting idea for me - the idea of compressing and expanding. That was an idea that I worked with, which you could only do sculpturally. You can't really do with a painting on the wall.
He had made a passionate study of education, only to come, gradually, to the knowledge that education is nothing but the process of building up, gradually, a complete unit of consciousness. And each unit of consciousness is the living unit of that great social, religious, philosophic idea towards which humankind, like an organism seeking its final form, is laboriously growing.
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