A Quote by Zaha Hadid

With products the form is almost the finished piece, but with architecture it is not. — © Zaha Hadid
With products the form is almost the finished piece, but with architecture it is not.
As a general rule, when a new industry takes root, and the first products emerge in a wave, almost always the architecture of the product will be proprietary and interdependent in character.
My house is my refuge, an emotional piece of architecture, not a cold piece of convenience.
I mean, certainly writing, painting, photography, dance, architecture, there is an aspect of almost every art form that is useful and that merges into film in some way.
I've tried to be totally present, so that when I'm finished with a piece of work, I'm finished. ... The work, once completed, does not need me. The work I'm working on needs my total concentration. The one that's finished doesn't belong to me anymore. It belongs to itself.
I don't think of form as a kind of architecture. The architecture is the result of the forming. It is the kinesthetic and visual sense of position and wholeness that puts the thing into the realm of art.
Only when architect, bricklayer and tenant are a unity, or one and the same person, can we speak of architecture. Everything else is not architecture, but a criminal act which has taken on form.
There was this song I was working on called 'Swing.' It was almost finished, but there was something missing, and I couldn't for the life of me figure it out. And then this little piece of information - this little tweet - came to the forefront of my mind.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified ­ neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
I never know when a record is finished until it's almost finished.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
Most products are ugly. The harsh reality is that in many of these markets, form follows funding. And that products go where the market takes them.
Architecture is the will of an epoch translated into space. Living, Changing, New. Not yesterday, not tomorrow, only today can be given form. Only such architecture is creative.
I want to try to come away from that one directional, clear rectangular form. It's not used because it's the most beautiful form; it's just the practical thing. That's why our TVs are rectangles. Even in modern architecture, they want us to believe, "That's the nicest, most beautiful thing." I love modern architecture, but actually it's that they cannot afford amorphous shapes or ornaments.
Life is given to you like a flat piece of land and everything has to be done. I hope that when I'm finished, my piece of land will be a beautiful garden.
There's an old saying: 'No piece of writing is ever finished, it's just abandoned.' But my own rule is: No piece of work is done until you want to kill everyone involved in the publishing process, especially yourself.
Life is given to you like a flat piece of land and everything has to be done. I hope that when I am finished, my piece of land will be a beautiful garden, so there is a lot of work.
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