A Quote by Zaha Hadid

They all come out from the same thing; all the projects are connected somehow. — © Zaha Hadid
They all come out from the same thing; all the projects are connected somehow.
Thanksgiving isn't the only thing that has changed. This makes it reassuring somehow to go through the same ritual with the people you're connected to. I guess the truth is, it all boils down to family. Right?
The thing I've discovered that is a help is that there isn't a simple virtue or a simple vice. They're always connected. If you have Tendency A, that you loathe, you can almost be sure that Tendency B, which you love, is somehow connected to it.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
That's the power of film. If it's good, it can somehow make you feel connected to even the farthest thing from your own experience.
We have several projects in the pipeline, but one of the rules we set for ourselves is we don't want to solicit or announce any projects that aren't ready for publication. I'm personally really tired of reading about titles that never come out.
I come from a hut, from a hut I went to the projects, from the projects I went to a mansion so you out there you have ABSOLUTLY NO EXCUSE!
I love jokes that come out of nowhere. The ones where people look at the screen and go, What the Hell was that. As long as it somehow ties back into the story, somehow.
I love jokes that come out of nowhere. The ones where people look at the screen and go, 'What the Hell was that.' As long as it somehow ties back into the story, somehow.
Love is not a matter of getting connected. It is a matter of seeing that we already ARE connected within an intricate web of relationships that extends throughout all life. It is a realization of 'no boundary' -- that we are all made of the same stuff, riding through time on the same spaceship, faced with the same problems in the world, the same hopes and fears. It is a connection at the core, that makes irrelevant skin color, age, sex, looks or money.
There's not always going to be something out there for you, especially not a positive role, so once you get up there and start being well known, you can't just think projects will come to you. You have to start doing your own projects because if you don't, you'll miss out, and eventually your fame will be over.
I started out in the 1970s doing the Wife, the Bimbo, and the Ditz, and if I somehow get a serious role, they all wanna know the same thing: When are you going back to comedy?
Many people one meets in life somehow think they know you simply because they're hanging out at the same counter-but they really don't know a thing about you.
When we meet a work of art, there's something about that encounter that isn't fixed in time, but rather, it unfixes time: the shaft opens. The past and present exist in the same moment, and we know, as beings, that we are connected. All the people who lived before us, all who will come after us, are connected in this moment.
A lot of guys come out, and they do the exact same thing, are in the exact same mood, and have the exact same entrance every night, I really just make up a lot of crap as I go along.
The weird thing is, if I'd made 'The Incredibles,' shot-for-shot - exactly the same script, same timing, same shots - in live action, it would be perceived very differently, and somehow more adult than me doing it in animation. I find that fascinating and frustrating.
The hero and the coward both feel the same thing, but the hero uses his fear, projects it onto his opponent, while the coward runs. It's the same thing, fear, but it's what you do with it that matters.
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