A Quote by Zaha Hadid

I have always appreciated designers who dare to reinterpret fabrics and proportions, so I follow the Japanese and Belgian designers. The pieces are so animated. When they lie still, they are one thing, but once you stand them up or wear them, they become something else.
I think that as a playwright, if I detail that environment, then I'm taking away something from them [designers]. I'm taking away their creativity and their ability to have input themselves, not just to follow what the playwright has written. So I do a minimum set description and let the designers create within that.
I inherited some Chanel pieces from my mother. I've worn Prada - absolutely. Wonderful designers are inspiring. I also love designers not known. I love a lot of vintage pieces. I am pretty minimal, pretty classic.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
I have fashion designers that I definitely respect. After working for a few years in the industry, you want to branch out and do your own thing and I think that's something that has always been important to me is strengthening the brand and just sticking to "this is who we are, this is our identity, this is who we're going to be". I definitely respect other designers but I don't necessarily have one that I look up to.
A wise friend once told me, 'Don't wear what fashion designers tell you to wear. Wear what they wear.'
I just check my Instagram. I get a lot of inspiration from there, I follow a lot of different designers and not really people in particular, just kind of designers and shops, certain stores that I love and just kind of draw inspiration from there and bookmark them.
I think it's cool to get to know designers. There is some anxiety, maybe, that after you've met a designer, you want to be loyal to them and wear their clothes. And sometimes it's just not my style. But you have to be honest, and I don't really want to lie.
I loved watching so many of the great designers I've worked with do what they do. That's why I'm still loyal to the designers that I've known since I was 16.
Designers, stay away from corporations that want you to lie for them
Clothes and jewellery should be startling, individual. When you see a woman in my clothes, you want to know more about them. To me, that is what distinguishes good designers from bad designers.
It's a really exciting thing to collaborate with production designers, cinematographers and gaffers and costume designers and editors and composers.
I have always appreciated those who dare to experiment with materials and proportions.
There's something about the fashion world that I like, which is, I see a lot of the designers really have affection for other designers.
In their work, designers often become expert with the device they are designing. Users are often expert at the task they are trying to perform with the device. [...] Professional designers are usually aware of the pitfalls. But most design is not done by professional designers, it is done by engineers, programmers, and managers.
There are many design companies, but there are few designers who organize their own business and open it up to other designers.
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
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