A Quote by Zak Bagans

Depending on how I'm feeling that day or the music I'm listening to, I will pick appropriate lighting to help create the atmosphere for me. I use a lot of blues and purples. — © Zak Bagans
Depending on how I'm feeling that day or the music I'm listening to, I will pick appropriate lighting to help create the atmosphere for me. I use a lot of blues and purples.
I'm lucky to play with Messi for the national team; I've learned many things. I can pick up a lot from him in terms of how he reads the play, how he thinks, how he sees the movement of his teammates. This will help me a lot for the future.
I grew up in a family that was very musical, learned the blues and everything like that. And I became a little bit frustrated with the simplicity of rock n' roll and blues. I started listening to a lot of classical music - mainly Bach, Vivaldi.
I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.
My way to de-stress is either listening to music or talking to my sister, Kourtney. She's going to teach me how to meditate, and that should help a lot.
There's always a joy in newness as a painter, and in sub-Saharan Africa, I encountered different realities with regard to light and how it bounces across the skin. The way that blues and purples come into play. In India and Sri Lanka, it was no different. It became a moment in which I had an opportunity to learn as a painter how to create the body in full form, and that's a very material and aesthetic thing. This is not conceptual. It's all an abstraction.
We've all had the experience of you pick up a book, you can't get into it, you can't concentrate.Then one day you pick up the same book and you don't hear the phone ring. You're totally absorbed. Same thing I have to do every day. When you get into that special place of unconsciousness - you get it listening to great music or seeing a great movie - it just takes you out of yourself, out of this whole world. There's no feeling quite like it.
If there's a lot of fear that's going on, if there's a lot of anxiety, it's manifesting itself in your nocturnal world so that analyzing it can help open up basically thoughts about what you need to do during the day. So a lot of people who subscribe to the psychoanalysis, the Jungian thought will really focus a lot on dreams, the meaning, and how it can be used to help you during the day.
Back in the day in my teens I was listening to Joe Pass and Wes Montgomery a lot; before that I was listening to what I would call now the more 'simple' jazz players (but still very valid), like Barney Kessell or Johnny Smith; I learnt a lot of voicings from Johnny Smith records. Now, I listen to the old blues players; that's what you'd hear in my house if there was music on. It would be Albert Collins or Albert King.
I'm a big believer in supporting the action on film with the appropriate music. It covers a multitude of sins. It's gotten me out of a lot of jams, over the years. So, music for me is a very big thing in films and I use it unashamedly.
I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.
Depending on which day, and how I am feeling on that day, I have a different favorite song on the album. One day it might be 'Karma', and other days it is 'Stay For A While'
Where once such devices were relegated to appropriate times, now they've become necessities. The other day I watched a kid come off the school bus listening to music on his headphones, oblivious to the traffic zooming past him. And I can't even begin to count the times I've thought pet owners were talking to their dogs while taking them for a walk when, in reality, they were blabbing on their cell phones. It's a different level of use than we've seen in the past, ... It's becoming more of a full-day listening experience as opposed to just when you're jogging.
It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring.
When I create music, the feeling that you get... I get first. You [the listener] have a delayed experience with the feeling I initially get when I have a creative insight. Not just the voice, but all the creativity - the production, the idea, the concept, the music involved. There is a high. There is an emotional experience that happens when everything comes together... I made music as consistently as I did, especially back in the day, because it made me feel so good... When everything is on, it's a wonderful feeling.
I was listening to a lot of bebop. And to Miles Davis. Everyone thinks I was just in the folk world in 1966, but in 1963 and 1964, I was absorbing enormous amounts of music, from baroque to jazz to blues to Indian music.
I've been listening to quite a lot of classical music like Erik Satie, and quite a lot of blues.
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