A Quote by Zakk Wylde

The one thing about the music business is that there is no rulebook. It's not like the NFL or something where there's four downs to get ten yards or baseball where it's three strikes and you're out.
Three strikes, you're out. I don't care if you hire Edward Bennett Williams to defend you; three strikes, you're still out. Baseball is an island of stability in an unstable world.
Baseball is almost the only orderly thing in a very unorderly world. If you get three strikes, even the best lawyer in the world can't get you off.
Life isn't about a hand-out. That's not what the NFL is about and that won't get you in the NFL or take care of you once you're out of the NFL. You have to work.
I'm going through a divorce now. This is the second one, and like baseball, I'm not gonna get three strikes. I've been living by myself for five years and I'm very comfortable. I can play my guitar when I want to.
Photographers talk about their shoot ratio. Like four to one, six to one, ten to one! Whatever, I'm, like, seven billion to one. It is just ridiculous. But sometimes if you can hit it just right and get everything out of the way, something will resonate on multiple levels.
The great thing about the NFL is that you get into it for love, and you realise it is a fabulous business.
We can assume that for every 100 people who wanted to say something to their favorite performer, maybe only ten actually got out the stationery. And of those ten, maybe only four get the letter to the mailbox. So, out of all those fans, maybe only four percent are actually sending you anything. And maybe you have read it. Or not.
So to me, life is more than just money and making it to the NFL. Life's about memories, life is about experiences, and I feel like when players just plug in for three years and run to the NFL as quickly as they can, I feel like they're, without knowing it until they get older, taking themselves away from a really good memory.
In the NFL, if you make the play or you don't make the play, you're just a football player who did or didn't make the play. You don't get more yards or less yards based on what you're labeled as by society.
I loved playing in the Big Ten, where it's three yards and a cloud of dust.
The awful thing about being fat is you can't get away from it. Everywhere you go, there it is; all round you; hanging and swinging, yards and yards of it, under your arms, everywhere. And everyone else is so thin.
For me, writing music is a way of processing the world. It's not a concrete thing, as in, "This piece is about giraffes." It's much more of an emotional sort of thing. I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn't really confront.
I'm negative-three yards in the rushing department. Nobody wants to go out with negative-three yards rushing.
My whole motto is get four yards, and if I get more than four, that's fine.
Baseball is the only field of endeavor where a man can succeed three times out of ten and be considered a good performer.
I'm forced away from what I would call my music. I can't do another thing like 'Maxinquaye.' But if people didn't go out and copy it, I might have done another three or four 'Maxinquayes.' Which is terrible.
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