A Quote by Zara Larsson

I love to have a band, but dancers are my priority because I really want a show, you know? — © Zara Larsson
I love to have a band, but dancers are my priority because I really want a show, you know?
Unless the clients want, I don't like to have dancers for my shows. I prefer a rock show look and like performing with a live band.
Dancers are a great breed of people. And they really want to dance so you don't have to beg them to work. However, dancers sometimes build walls around themselves because they are presenting themselves all the time: dancing is very much a confession.
My band is so dedicated, everybody works very hard. The No. 1 priority is the show, and it's pretty cool because we all pull together, and it's fun. It's like being on a sports team or something.
In the UK and the US especially you've got a lot of throwaway artists who have their 40 million dancers and they do their show. There's many artists who would not do a live show because they know they can't.
You know why Foo Fighters have been a band for 20 years? Because I've never really told anybody what I think of them. The last thing you ever want to do is go to therapy with your band.
When you know that you have to flirt with someone, when you have a date or that you're looking for someone to love or for someone to love you back, you always try to show something better than yourself. Because you want to show off, obviously, you want to show the best side of you. Instead, when you have nothing to lose, you're just yourself. And maybe this is the best part, when another person can fall in love with you.
Don't get me wrong: I love a massive show with dancers and the works, and I love Zumba! But I just want there to be more people who just sing.
I said that the only way I could have a band that would work in the format of my show is if the band were crap. So if I have a band they'd have to really suck.
I do think image is important in a band, because when I go see a show, I want to see a show; I don't want to just listen to the music.
One of the beauties about going solo was being able to start from scratch and say, 'What do I really want? What kind of band do I really want? What kind of live show do I really want to stage?' Without any of the baggage of being something with history.
I would love for dancers to be treated better and for dancers to have support, for dancers to have managers, agents. This is the only art form that does not have a proper support system.
I don't love playing new songs in a festival environment. Because when it comes to a festival a lot of people probably won't know your band really well at all so playing more familiar songs is a little more conducive in having a better show.
I'm really picky about stuff like videos or even pictures of the band, but at the same time, I don't really know what it is I want; I just know what I don't want.
It's a combination, I think they want to know - it's for every show, which is I think networks want to know that you have a vision for where the show could go to make sure that it really is a show, that it's not just a one-off forty minute pilot, that it's an actual series.
I still love 'The Cure' more than almost any other band. But they were really, truly like the first band that I really loved and felt was mine, you know. At a pivotal time in my life when I was 13, 14 years old.
I was on a TV show about dancers for two and a half seasons called 'Bunheads' on ABC Family, and that was really fun for me because I'm a dancer in a real life.
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