A Quote by Zara Larsson
I would say that the majority of the people I work with are Swedish, very unknown producers and writers but so talented.
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I think when it comes to television as opposed to film, the producers really are the writers. We work with people who are purely financial producers.
I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.
In English, you can find writers with a wonderful sense of humor, like Oscar Wilde. But in the French language, this is very special, and de Sade is one of the very brave writers with a sense of humor. But most people don't understand that. When they read de Sade, they take it seriously. They say, "Oh, what an awful man!" He is really a very unknown writer.
You can take wonderfully talented actors, wonderfully talented writers and producers, and, uh, do a wonderful show!... but if it doesn't hit with the public in two minutes, it's bye-bye.
It's about very talented writers, directors, producers, and actors being in a position for their projects to be supported, but there's just not enough black projects being made.
If you ask the Polish people, I believe that a vast majority of them would say they are pleased with E.U. membership, but also a majority consider very highly the sovereignty and independence of Poland - they are very attached to Polish tradition.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
I'm not going to say that the other people I worked with weren't artist. They were all very great, very talented people, but I think Guillermo [del Toro] will go down in cinematic history as one of our more talented, visually brilliant directors.
I love writing with really experienced producers and co-writers who open my mind to things I never would have thought otherwise. We may think the same way about something, but they might say it in a way that I never would have thought to say it.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
There are a lot of directors I'd still love to work with. Paul Thomas Anderson is someone I'd love to work with. I think Alejandro Gonzalez Inarritu is very talented. Ang Lee is very talented. I mean, there are a lot of people. There are many great directors out there.
Horror fans are very passionate people, and they are very much into the 'Saw' thing. So they watch sometimes as carefully as the writers and producers do, in terms of the way the story plays out.
So when it was my turn to start developing projects, I knew the writers I wanted to work with, and I had met every head of studio, every executive and a lot of producers. I started finding things, little crumbs off other people's tables that I would make my own.
I'm very happy where I am, with the comradery with the incredible actors, producers and writers [of The Strain]. I am ready and very excited to work here. There is a potential here. Even though survival here is hard, work is hard and commitment is harder, the potential for where you can go can bring you further. This is the country that is possible. That's not possible in Europe.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
My Swedish grandmother was the daughter of a dairy farmer who lived near Hedemora. My Swedish grandfather worked as a clerk for the Swedish railways in the Stockholm station.
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