A Quote by Zareen Khan
I have realised I do not have any back up, or filmi background, or any influential person who is making movies for me. I have to take this journey on my own, and be careful. For me, if I do something wrong, I am not going to get second chances.
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I entered politics from a filmi background and had no idea about that world. Slowly, I realised that it did not suit me, and that's when I decided to get out of it.
Not coming from a film background, be it a teeny-weeny role or a big role, I have done it with a lot of dignity and fought my way through. But the only thing that kept me going is that I am the sort of person who doesn't take no for an answer. If someone rejects me, I will be out to prove that person wrong in my own way.
I don't have any friends and don't have any intention of making any. People will stab you in the back, mistreat you, talk about me behind your back, steal from you. And they're not really your friends. They're only there because you're a celebrity or because they want to get something from you.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
It has been a contented journey, as I made it without a filmi background tag, but at the same time, a lot remains to be done because there is much good music in me.
I am ashamed to say I auditioned three times before I even watched any of the [X-Men] movies. And then after I watched the movies, I was like, "Oh my God, I've been doing it all wrong, why are they calling me back?
Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
If I murmur in the least at affliction, if I am in any way uncharitable, if I revenge my own case, if I do anything purely to please myself or omit anything because it is a great denial, if I trust myself, if I take any praise for any good which Christ does by me, or if I am in any way proud, I shall act as my own and not God’s.
I'm a really smart player. If you tell me something, I get it quickly. If there is something wrong with my hitting, tell me what's wrong and I'll pick it up right away. That's the best thing I have going for me, my ability to listen to a coach and fix what I'm doing wrong.
They don't pay me enough to take any racial abuse. If you come up to me and say something racially, I'm going to take your head off.
I've learned when to get out. I've never wasted too much time with the wrong person, and that's one thing I'm proud of. The longer you're with the wrong person, you could be completely overlooking or not having the chance to meet the right person. And if it doesn't feel right, it isn't right. How do you know if something feels right? I think the great defining factor for me is whether I want more. When they drive away, do I wish they would turn around at the end of the street and come back? Or am I fine that they're going home?
Few of my classmates looked like me. While we shared similar aspirations and many good times, there's much to be said for making any challenging journey with people of the same cultural background.
Even before my parents died, I felt all the responsibility to my family. I don't know why. In any business, any relationship, if something goes wrong, I feel I am to blame. It's something inside me.
Even if you find him. Even if he didn't leave you on purpose, he can't possibly live up to the person you've built him into." It's not like the thought hasn't occurred to me. I get that the chances of finding him are small, but the chances of finding him as I remember him are even smaller. But I just keep going back to what my dad always says, about how when you lose something, you have to visualize the last place you had it. And I found?and then lost?so many things in Paris.
I've been joking that if Madonna taught us anything, you've got to reinvent yourself. I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances. I've tried to take a chance with every film I've done - I've never done it the easy way, and I think that's because that's what excites me, is making as big a mountain as I can in front of me, and just trying to mount it.
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