A Quote by Zawe Ashton

Often when you're working on dark material, the atmosphere is fun. — © Zawe Ashton
Often when you're working on dark material, the atmosphere is fun.
It was fun working with Will Smith; it was fun working with Alex Proyas, who is another sci-fi guy with 'Dark City.'
It's just that fun atmosphere, working on the car, being with the guys. This is exactly what I needed.
Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
I believe in working together to solve the problems we've got. And we need to get rid of the venom in the political atmosphere in D.C. It's a poisonous atmosphere.
In Manhattan, I often do two or three or more shows a night, so I'm always working on new material.
I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
I get very picky. There's sort of a line you have to walk between working and doing something you actually want to be a part of, as opposed to just working for the work. That often puts you in a place where you have to choose whether or not you want to wait for good material to come along.
We have carbon in the atmosphere. That is a material in the wrong place problem. It's just like what I said about the lead. Lead in the biosphere is not good. Carbon in the atmosphere (over natural levels) is a problem.
I'm drawn to subversive material and material that speaks to communities and people who tend to be marginalized, and telling those stories in ways that subvert expectations. That's always been fun for me to play and always been fun for me to write.
I'll often rush out from Dark Shadows, having made a 5.30PM appointment, working for a couple of hours.
My job on 'Dark Shadows' was to make it fun and funny, first and foremost. It can still be dark and it can still even be gory and gothic at times, but it also needed to be fun and it needed to be an experience that people would enjoy having.
Ill often rush out from Dark Shadows, having made a 5.30PM appointment, working for a couple of hours.
We're pretty sure there's plenty of organic material on Pluto. The atmosphere is largely methane, and in sunlight, methane builds organic molecules. We see reddish stuff on the surface that we think is organic material.
The whole experience of working on this movie was so fun, and I had more fun working on that than I've had on anything else. I had more fun working than on my days off.
I will do a lot of research and create a lot of material for use in one painting. And then I go on discovering and working with a whole other range of material in another painting. I'm interested in a fairly comprehensive and orchestrated synthesis that might bring about a new situation consisting of this hidden material. I'm interested in hidden source material.
I have a dark sense of humor, so I definitely like to work on stuff like that. I do enjoy working in comedies where I can create a fun and broad character.
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