A Quote by Zawe Ashton

I wanted to quit acting and as soon as I decided that, the call for 'Velvet Buzzsaw' came through. — © Zawe Ashton
I wanted to quit acting and as soon as I decided that, the call for 'Velvet Buzzsaw' came through.
I was 36, and I had decided to quit acting because it was so disappointing.
I came back and decided that I wanted to go to college for acting and got my family on board. My mom, who was a single mom, was a little reticent, but I think after that summer [in the Governor's School], she saw a shift in me and realized that it was something I wanted more than just a hobby.
I had once decided to quit acting when Chattakari' didn't do well at the box office.
I cleaned up. I quit drinking, I quit doing drugs, I quit stealing, I quit breaking into houses, I tried to quit being a bad human being. I developed a conscience later in life than many. I call it the lost-time-regained dynamic.
I'd been acting in Chicago since I came back after University, and I got a call from my agent saying, 'They're doing this revival of 'On a Clear Day,' and I actually auditioned when the team came through Chicago for the 'American Idiot' tour.
I remember when the results of the All India Engineering exams came out. I ranked 7th. I even got a scholarship. But it was during the sixth semester of my engineering course that I decided to call it quits and pursue acting seriously.
I remember feeling a huge amount of anxiety and worry and pressure. At that point I was headed into acting school. That was 100 percent the only thing I thought I wanted to do. But then I got through my first year of college, and I was, like, humming and rolling around, pretending to be a lion in acting classes at NYU and visiting our classmate Charlie Gregg at Harvard, where he was actually learning things. So I changed my mind: I decided I actually wanted a different kind of education, and that was an incredibly freeing idea.
I expected to be in the big leagues soon. I didn't know exactly how soon, but I wanted to be here soon, and I wanted to make a difference soon.
Music has fed me a lot of ideas... The film BLUE VELVET came out of Bobby Vinton's version of the song BLUE VELVET.
I watched the Oscars, but there wasn't a side of me that was like "Oh, one day..." It was mostly "This is what I want to do, and how do I do it?" As soon as I decided that I was going to be an actor, for about five years after that, I just decided to not do much acting. It was like "Okay, this is what you're going to be later on."
After a couple of years, in 2010, Ring Of Honor went through a shift in management, and the people that came in and took over kind of decided that they wanted to push me out. They weren't fans.
After I finished school I wanted to do a bunch of courses - art history in Florence, fashion in London and acting in Los Angeles. So I started with acting, and soon I knew this is it, this is what I need to do.
I was being groomed to be the theatrical caricaturist. And I know if I got that job, I'd never quit. So I quit. I knew I wanted to go into the theater... I wanted to act.
I loved acting and wanted to be a leading man. But I decided I'd rather be a big fish in the stuntman pond than a little acting fish. I guess I must have made the right decision.
Looking through a child's eyes and knowing this was another planet, we decided to design the machines with eyes and bodies like animals, we also decided that this planet has two moons, and we decided that anything else we wanted to do was allowed. It was a new perspective to make the film.
I don't think I made a conscious decision as a career choice. From my school days I had decided, persuaded by my parents, to prepare myself for the law. Then the Japanese occupation came and we went through three and a half years of what I would call the university of life, it was hard, it was harsh.
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