A Quote by Zawe Ashton
I'm someone who likes to explore the complexities in people.
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Stories, as we're taught in journalism school early on, are told through people. Those stories make our documentaries powerful. You can explore someone's culture, you can explore their experience, you can explore an issue through human beings who are going through it.
Pellegrini gave me back the joy of playing football. He is like Arsene Wenger: someone who likes to joke, someone who likes to talk and take an interest in your life.
I'm someone who likes to listen, who likes to watch, and who likes to learn.
And as a result, I guess I'm just kind of a rubberneck. I'm kind of a - someone who likes to see things and likes to see these events and talk to the people who make them happen. But I don't think journalists are as important as the people they cover.
Our intention is to really explore this transition and, beyond that, explore the particular things that someone comes up against when they're gay or lesbian.
The working-class is now issuing from its hiding-place to assert an Englishman's heaven-born privilege of doing as he likes, and is beginning to perplex us by marching where it likes, meeting where it likes, bawling what it likes, breaking what it likes.
I'm using the afterlife as a backdrop against which to explore the joys and complexities of being human - it turns out that it's a great lens with which to understand what matters to us.
How can our kids really understand the moral complexities of being alive if they are not allowed to engage in those complexities outdoors?
I'm someone who likes new things, likes change. But I also like challenges. I was a little bit of a prisoner to my challenge each time.
Typically to get toward a productive outcome in negotiation you have to make the initial move of genuinely exploring someone's model. If you don't, it is unlikely that they will be willing to explore yours. And if you genuinely explore and understand theirs - without judging it - they will be willing to explore yours. Once they reach that point, they are primed to explore the productive combination of both models and won't be as obsessed about trying to make sure their model prevails.
The audience basically likes complex characters, and bringing out the complexities is the actor's job. The audience doesn't have the script, the actor does.
I'm by nature someone that quite likes to understand how things are working, likes some sense of structure, and I've fallen into the worst possible trade for that.
You can be happy with someone who likes you despite your faults - until you meet someone who likes your faults.
When you read a fantasy novel part of the fun is getting to explore a new world. Everyone knows that. But I believe the same is true about characters. You can explore interesting people in the same way that you explore a town or a culture.
I've always been someone who likes to share and talk. When something happens to me I [don't] run away from it. I want to dive right into and explore it. Try to figure out why it's happening and try to figure out something good that's going to come out of it.
If you meet someone on the street that likes something that you did or likes the way you brought this character to life, that's really rewarding. That's really cool.
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