A Quote by Zaytoven
When you take your music around to your people in the city or your label, and don't nobody like it, but you really like it, and you like, 'Dang, these folks don't hear what I hear.'
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People are like, 'Wow you started your own record label,' and treat me like I'm some sort of innovative genius, when I'm not at all. You've got the Internet and music - you put them together, and people hear your music.
Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.
It's really cool to hear your stuff in things like TV shows. It's a pretty cool feeling to hear what you did in the studio and then to hear it in places like that. It's definitely surreal.
it's important as a composer to sit in silence and imagine these complex musical worlds in your head, but it's also a wonderful experience to touch your music and to hear it and hear it in the room with you and to say, you can't have an entire orchestra there, but you'd kind of like to have the orchestra there.
Comic strip is almost like music on a page that you perform in your mind. It's not just pictures. There's a particular rhythm and structure to it that is unlike anything else. It literally is like music. You hear it in your mind as you read it.
You have to invest something [in your work]. If you don't risk something that really matters to you - like your integrity, or your pride, or your time, or your security, or your reputation - if you don't risk yourself, you can hear it right away.
Take the perspective of a journalist or scientist. Really study what's around you. What are people wearing, what do the interiors of buildings look like, what noises do you hear? If you bring your analytical powers to bear, you can make almost anything interesting.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences
Music makes time fall away like almost nothing else. You hear a song from another moment of your life, and it really is like you're still there.
It is easier not to say anything. Shut your trap, button your lip, can it. All that crap you hear on TV about communication and expressing feelings is a lie. Nobody really wants to hear what you have to say.
It's so cool to hear these DJs and younger artists that are coming around be like, 'Wow, we love your music.'
After you're dead and buried and floating around whatever place we go to, what's going to be your best memory of Earth? What one moment for you defines what it's like to be alive on this planet? What's your takeaway? Fake yuppie experiences that you had to spend money on, like white water rafting or elephant rides in Thailand don't count. I want to hear some small moment from your life that proves you're really alive.
I'd much prefer to hear somebody like Ed Thigpen [drummer with New York session group Stuff, and featured on innumerable hits] take a solo. I mean, that's what it is. I'd much rather hear that than the jazz/rock thing because it's blowing an aspect of jazz that I really like...the level where you can snap your fingers to it and you can groove to it. You can do anything to it.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
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