A Quote by Zaytoven
I'm the type of guy, I make a lot of different beats, but sometimes I might stick to a sound for a little while.
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Sometimes I go in and try to write beats, but I just trash 'em, and then the next time I go in, I'll make like six beats - six legit, nice beats. I'm really particular with how it needs to sound.
A lot of times you'll hear bands and it's a different sound coming out than what's on stage. Because you can clean it up through a PA and make it sound completely different than what they really sound like.
I'd been collecting different ethnic instruments here and there, and then I started making little bell type stuff, looking for weird little sound toys.
I've always tried different stuff in the studio. I use rakes, spoons, cans... I'm a surround-sound type of guy.
Despite whoever created it, it's my world, & the only one I've got. Might as well make the best of it, right? Might as well have a little fun while I'm here. Or a lot of fun. Might be dead tomorrow.
I think I make good beats, but when it's not mastered correctly, it can definitely make it sound like it's not a good beat, and that has been an issue sometimes with me in the past.
I play with a lot of emotion because I'm a passionate guy, and I play with that passion. I love playing that way. Sometimes you're late onto the ball, sometimes you're not. Sometimes you make contact with the guy when you tackle him, sometimes not. It's a sport where individual duels are vital, so I don't see it as a problem.
The wonderful thing about rock music is even if you hate the other person, sometimes you need him more, you know. In other words if he's the guy that made that sound, he's the guy that made that sound, and without that guy making that sound, you don't have a band, you know.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
I know I might sound a little bit picky, but someone like a muse who can inspire me is my ideal type.
I think 'Hail to the Chief' needs a little bit fresher sound. I might put some gospel beats in 'Hail to the Chief.'
Going from 'Shark Night' to 'Piranha,' a guy holding a fish on a stick in front of you that they're going to replace in post-production, it's a lot different than seeing this animatronic shark that, if you get caught up in the moment, looks, acts and you sometimes think could be real.
I know my age is a little older and some people might say, 'hey this guy's an old guy'. But I'm learning every day. I don't feel like an old guy. I feel like I'm young. I feel like I'm in there just learning so much stuff. I'm just doing a whole lot more different things than I was before.
Yeah, with 'NASARATI,' that was my first project. I really worked literally three days on it, writing on the beats and putting it together. I'm not saying that I don't love the mixtape, but it was really my first, first move in rap. I tried to make sure everything sound different, so you hear no two songs and think they sound alike.
I was lucky enough to be a "type." Sort of a bad-guy type at the time, because I was tall and I had dark eyes. A lot of times, you don't have to be good; you just have to be the right type.
We needed to make a sound that's not gonna fit in with everything else - we wanted to make something that was completely unique and individual to us. We spent a lot of time trying to make a sound that was a One Direction sound. At first it was quite hard to do that, but I'm really happy with the sound.
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