A Quote by Zaytoven

When I think of trap, I think of something that is unrehearsed. It's something that's edgy, not too well put together. — © Zaytoven
When I think of trap, I think of something that is unrehearsed. It's something that's edgy, not too well put together.
I don't think something necessarily has to be mean or cynical to represent 'edgy.' I think 'edgy' can mean a lot of different things.
Country radio certainly widens the boundaries of what I can do. Other artists may do something more edgy that gets on radio and that opens the door for me to be more edgy, I think.
Sometimes I fall into the trap of keeping too much to myself, but I think it's important to preserve certain things, it leaves something to the imagination.
But, something has to be worked through formally as well as emotionally. Now, when those two things come together I've got something, I think, that I can be proud of.
For centuries, the arts and philanthropists have worked well together: look at the Tate family and the Courtaulds. If you've been fortunate enough to have some success in business, I think it's important to put something back.
I think I have that love of colour in common with Eric, my character on 'Sex Education.' That said, his look is often slightly off-kilter - the shoes will be a bit too 'out there,' or the trousers will be leopardprint or something. I like to think I'm a bit more put together than him.
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
I don't necessarily want to direct because it's too much work and I don't have the attention span to stay with it that long. But I think getting everyone together on something that appeals to me and developing the material is something that I like to do.
I don't think we're going to break the law in terms of what you can or can't do on TV. We're looking to do something edgy, different, and special.
When I think of grass I think of something to walk on, pot as something to put a plant in.
I think directing is a huge responsibility and it's not something where you can just be like, "Yeah, sure, I'll give it a go!" I think it's something you really need to focus on, and put a lot of effort and attention into.
We should not allow fear or anxiety to stop us from doing something. If you think through something well and prepare thoroughly, you can do a lot of things you think you can't.
I'm not interested in doing something edgy with a capital E just so everyone knows, 'Oh, OK, now he's showing us he can do edgy.'
Sometimes you think, "Oh man, this is going to be a fantastic movie," and then when you see it put together, you're like, "Oh, huh. Well, that didn't turn out quite the way I thought." Sometimes you think you're part of a project and it isn't that great, and then it sort of becomes a pleasant surprise. But I think there's just too many elements that affect the tone of a movie, so I think even for a director, it may be hard to gauge that.
To me, fresh means you're in something new, something that looks real nice... and something put together creatively.
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