A Quote by Zazie Beetz

It's fascinating working with young children. You have to improvise around them, and they're moving around and doing stuff, and you have to be real with them. — © Zazie Beetz
It's fascinating working with young children. You have to improvise around them, and they're moving around and doing stuff, and you have to be real with them.
Your children can be around you all day, but if you don't spend quality time with them and you don't pay attention to them and talk to them and listen to them, it doesn't matter that they're just around you.
I don't use recurring characters. I do get very interested my characters while I'm working with them, and I find the process of fitting them into a story, and allowing them to create the story around themselves, fascinating. But no, I don't imagine they have a life outside of what I make for them.
I've always loved children. When I was working with children as a librarian, I loved being with them and working around them.
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
In real life, that's how we're moving around. We look at things while we're walking and moving and turning around. We stare at objects in the world.
Children should be kept as normal as possible. At a very young age, they are not even aware of the happenings around them. You need to do whatever you can to grow them normally.
In most places and times in human history, babies have had not just one person but lots of people around who were really paying attention to them around, dedicated to them, cared to them, were related to them. I think the big shift in our culture is the isolation in which many children are growing up.
When I first started acting, I was actually working with the National Youth Theatre in London doing anti-knife crime workshops, so I was listening to a lot of music that was around us all the time, around the guys I was working with, and the kids - lots of young grime artists from London.
America was founded on the fissure between slave states and free states, so these huge fault lines are just built into the American project. How we repress them, express them, deal with them, talk around them, think through them, don't think through them, is fascinating to me.
I'm moving around; doing stuff. I can walk. I can even run.
There's so many young women today who look so lost. And I feel like, of course they're lost. They have no one around them to give them real, authentic reflection.
Isn't is lovely to be all together again?" Raffin said, throwing one arm around Po and the other around Bann. -------- She wanted them near, even if they were subsumed by their own affairs, she needed them at sword practice in the morning, at dinner at night, moving and shifting around her, there and gone, back again, arguing, teasing, acting like people who knew who they were.
I had the opportunity to be around my kids a lot. I guess I could have kept working, but I had them when I was 47. You only get to see all this stuff once. I just chose to work at home and watch them.
Pay attention to them kids, don't let your feelings be hurt because they taking your place. They supposed to. But if you wanna stay around with them, you ain't got to copy 'em. Just get the ones that's real young, too young to even be copying yet, because you know they gonna be the next thing.
Children in their young teens are just moving into the moment when they are most receptive to philosophy and psychology. You can explore these things in stories and, in doing so, give them power and control.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
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