A Quote by Zdeno Chara

Every article starts that way: Zdeno Chara, six-foot-nine, big strong defenceman. I'm like, Oh my God, does every player get their weight and height listed before they write something about him? No.
Once we get out on the road, my tour manager who is also my guitar player does a great job of taking weight off of my shoulders where I can just focus on playing the shows.About two hours before every show, the pacing starts and the anticipation builds. I prepare for it just like I would when I used ride bulls, slap yourself in the face, wake yourself up and get your heart going.
Like when I fought Akebono - six foot eight, 490 pounds. Before the fight, everyone's like 'Man, you're crazy. You're out of your mind. How are you going to fight a guy that big, there's no way you can take him down. You cannot punch him out. You're out of your mind.' After the fight, everybody was like 'Oh come on, he's big and fat.' Really?
I write in the mornings. I get up every morning at about six in the morning and write until nine, hop in the shower and go to work. Nighttime I usually reserve for re-reading what I've done that morning. I would be lying if I said I stuck to that schedule every single day.
Thierry Henry, he was definitely the best. He was just too quick. Oh God, what a player he was. I was so relieved when he went to Barcelona. He used to have everything. You couldn't even kick him, he was big and strong, oh, Jesus, he was a nightmare
Wayne came over to the bench one day after seeing (Zdeno) Chara, and said 'That's why I'm quitting.'
Every time someone starts talking about weight, it takes away from the fight. No one is born at that weight. We grew into that weight. It is all about the challenge, more so than the weight.
How tall are you big boy? Six foot nine inches! Let's go up to my place and talk about the nine inches!
It isn't the height that scares me - the height makes me feel alive with energy, every organ and vessel and muscle in my body singing at the same pitch. Then I realize what it is. It's him. Something about him makes me feel like I am about to fall. Or turn to liquid. Or burst into flames.
Oh, my God. It hit me like a tsunami then: how perfect he was for me, how he was everything I could possibly hope for, as a friend, boyfriend - maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt just seem washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breath in my lungs. And air sacs.
There's lots of good movies where you feel that the dialogue could be improvised, but very little was. The "Big Lebowski" was like that where people say "oh, you know, that sounds so..." and we'd always go back and get every man, every ellipses in there the way these guys write it. Because not only is it saying what Michael wants the character to say but the way they all speak kind of creates this tone because it's not exactly real.
I always feel like I'm coaching for my job. Just like when I was a player for nine years in Chicago. I came in every day wondering if I was going to get cut. This is no different. I come to work like I did as a player and that's to do the best I can.
I write pretty fast, probably faster than most people. But I might think about something for six hours, then write it in 20 minutes. So did I write for six hours and 20 minutes, or just 20 minutes? I used to write absolutely every day, except for days when I had to travel or something.
When you first have a baby your life doesn't change. I mean, you have a little less sleep and you drag these cuddly things around you and it's just amazing. But you still get to be you. Once they get to, like, five, six and school and it starts to get, like, 'Wow, they got real problems. They're my responsibility.' Oh my God. That is overwhelming.
What do you get if you multiply six by nine?" "Six by nine. Forty two." "That's it. That's all there is." "I always thought something was fundamentally wrong with the universe
My ritual it's kind of an involuntary ritual. I lie awake the night before, worrying about award ceremony. Try and think of something to write in case I actually get up there. I write it at the very last minute like either in the car on the way to the ceremony or, you know, in the bathroom before the show starts. It's all of jumbled mess written on a napkin or a piece of toilet paper. That's my good luck ritual. It's just like being in college waiting for the last minute to do everything.
I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
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