A Quote by Ze Frank
The story of technology seems to go up and then retract into simplicity again.
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The stressful thing about being an actor is, like, you have to kind of audition again and again and again, you know? You go in one time, and you go in again for a director and then again for producers and then again and again and again.
Technology isn't a villain. Technology should help, but if you just use the technology for the sake of technology, then you're cheating your audience. You're not giving them the best story and the best direction and so forth.
Don’t always want to go up. Go down, like water, because eventually it’ll go up again. Just like rain, it falls from the sky, flows as a river, then merges with the sea, the goes up again as a cloud.
Technology for me is discover, learn, evolve and implement. It combines 3Ss- speed, simplicity and service. Technology is fast, technology is simple and technology is a brilliant way to serve people. It is also a great teacher. The more we learn about technology and the more we learn through technology, the better it is.
People tend to set themselves up in patterns; something happens, it hurts them, then something similar happens, and - it's happened again! It seems much bigger then, and they get worried and go through life looking for that thing, and because they're so concerned and looking for it, when anything that happens resembles that thing, they're sure it's happening again. So sometimes people think things are repeating even when they're not.
Then you will pick yourself up, no matter how tired you are, and go forward again and again and again, until you've reached liberation.
My mornings start with mom coming into my bedroom and waking me up, or trying to wake me up, and then I go back to sleep. Then my mom wakes me up again and yells at me. Then she'll get me to wake up, and I'll get dressed and go to school. We go to school, and my teacher tells me that I didn't do the homework well enough. And that's that.
Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.
It's only a story, you say. So it is, and the rest of life with it - creation story, love story, horror, crime, the strange story of you and I. The alphabet of my DNA shapes certain words, but the story is not told. I have to tell it myself. What is it that I have to tell myself again and again? That there is always a new beginning, a different end. I can change the story. I am the story. Begin.
It seems disrespectful to my parents who left... to hear their story over and over again which always ends with... 'and I'll never go back as long as anyone in the Castro family is in power.' Well, what happens if you can go back? Would you want to see things?
I go to the gym in the morning to warm up, and then I go to the mountain and train. Then I come home and go to the gym again to recover. But on travel days, you get pretty much no physical exertion.
Again, now, now, again Plashes the rain in heavy gouts, The crinkled lightning Seems ever brightening... And loud and long Again the thunder shouts His battle-song, - One quivering flash, One wildering crash, Followed by silence dead and dull, As if the cloud, let go, Leapt bodily below To whelm the earth in one mad overthrow, And then a total lull.
I've often made revisions at that stage that turned out to be mistakes because I wasn't really in the rhythm of the story anymore. I see a little bit of writing that doesn't seem to be doing as much work as it should be doing, and right at the end, I will sort of rev it up. But when I finally read the story again, it seems a bit obtrusive.
There's the story, then there's the real story, then there's the story of how the story came to be told. Then there's what you leave out of the story. Which is part of the story too.
I wish I could write solely from imagination, but then I would not have a story to write. I need to produce the story in the real world, live it out, push it forward, watch it unfold, again and again, until it ends or I end it.
You have to be dynamic. You have to be able to change. So a lot of times we'll go to a country or go meet people, and then while we're there, the story changes and you have to be able to go with that. And then the story comes out in the editing room, which is a very documentary sort of process - not how news works. So that's different.
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